He makes this statement for no other reason than because it is so
intensely unpleasant to him, because he realizes that he must have to
face the fact it embodies, and to present it not only to himself, but to
others. And each day that passes proves to him more and more
conclusively that it _is_ a fact. He asks Byng no question as to the
disposition of his day. He sees but little of him, having, indeed,
changed the hours of his own breakfast and dinner in order to avoid
having his appetite spoilt by the sight of so much unnecessary radiance
opposite him; but he knocks up against him, flower-laden, at the Strozzi
steps; he notes the splendour of his ties and waistcoats; he grows to
know the _Elizabeth-look_ on his face, when he comes singing home at
evening, as one knows the look of the western clouds that the sun's red
lips have only just ceased to kiss, though no sun is any longer in
sight; and yet he does not interfere. He has received from the young
man's mother a hasty letter, pencilled in the train, not an hour after
she had quitted him; another more leisurely, yet as anxious, from Turin;
a third from Paris, and lastly a telegram from Charing Cross. All bear
the same purport.
"Write; keep an eye upon him!" "Write; keep an eye upon him! Write!"
And yet, though a full week has passed, though he sees the son of his
old ally drifting, faster than ever autumn leaf drifted on a flush
October river, to the whirlpool she had dreaded for him, yet he sends
her never a word. He writes her long letters, it is true, covers
telegram-forms with pregnant messages, but they all find their ultimate
home in the wood fire. When the moment comes, he finds it impossible to
send them, since, upon searching his heart for the motives that have
dictated them, he finds those motives to be no fidelity to an ancient
friendship, no care for the boy's welfare, but, simply and nakedly, the
satisfaction of his own spite, the easing of his own bitter jealousy.
So the Florentine post goes out daily, bearing no tale of Byng's
backslidings to his native land, and Jim, brushing past him, answering
him curtly, never going nearer to the Piazza d'Azeglio than the
Innocenti--a good long street off--devotes himself to the frantic
prosecution of a suit long since won, to the conquest of a heart for
eight weary years hopelessly, irrecoverably, pitiably his. His presence
at the Anglo-Américain is so incessant, and his monopolizing of Amelia
so unreasonable, that Sybilla--for the first time in her life really a
little neglected--alternately runs up her pulse to 170 and drops it to
40.
Public-domain text, read in full here on John Shaqi.
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