"Perhaps it will lift," Jim says, with a sort of dismal unlikely
hopefulness as he strains his eyes, trying to look down the straight
solemn fir aisles, with their files upon files of tall stems, that seem
to be seen only as if through a thick gauze. Neither of his companions
has the spirit necessary to echo the supposition. The road winds
endlessly, steeper and steeper up through the mist. The tired horses
step wearily, and the unfortunate pleasure-seekers are beginning to
think that the muffled monotony of firs, of winding road, of painfully
labouring horses, will never end, when the vetturino turns round with a
smile on his fog-wet face, and says, "Vallombrosa!"
Under other circumstances, the announcement might have been cheering,
might have excited a poetic curiosity; but as it is, the hood of the
vehicle--necessarily raised some miles back--is so far poked forward
that nothing is to be seen but a pour of rain--the rain has begun to
descend in torrents--a glass-door in a house-wall opening to admit them,
and a waiter holding up a green umbrella to protect their descent.
Neither he nor the landlord, nor yet the chambermaid, show any signs of
mirth or wonder at their arrival among the clouds on such a day. They
are used to mad Inglese. And amongst the mad Inglese themselves there is
certainly no temptation to mad merriment. On such an occasion there is
nothing to do but eat, so they lunch dismally in a long, bare
dining-room, with a carpetless floor, a table laid for a grossly
improbable number of guests, and a feeling of searching cold. Having
spun out their scanty meal to the utmost limits of possibility, and
washed it down with the weakest red wine that ever lived in a wicker
bottle, they pass into a funereal _salon_, to which the waiter invites
them. Someone makes the cheering announcement that they have as yet been
here only half an hour, and that the horses must have two full hours to
bait before there can be any question of beginning the return journey.
And then they amble about the room, looking at the dreadful lithographs
of Italy's plain King and fair Queen on the walls; at the venerable
journals and gaudy English storybook, so dull as to have been forgotten
by its owner, on the table. Their spirits are not heightened by a
pervading sense as of being in a cellar, minus the wine. The equipment
of this pleasant apartment is completed by a half-dead nosegay of what
must once have been charming mountain blossoms. The sight decides them.
They must go out. Perhaps even through this opaque cloud they may dimly
see the mountain flowers growing, the mountain brooks dashing, which
John Milton has told them that--
"the Etrurian shades,
High over-arch'd imbower."
Public-domain text, read in full here on John Shaqi.
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