As the evening advances, Jim sees an intention among the younger portion
of the company to launch out into noisy, romping games, to institute a
Dumb Crambo. He feels it is far from impossible that he himself may fall
so low as to be drawn into it. Miss Strutt's eye is on him, but before
he succumbs he will make one effort on his own behalf. He embraces a
desperate resolution. He has seen the Le Marchants eating their dinner
near, and yet hopelessly far from him. Elizabeth had given him one
furtive smile, and her mother a hurried bow; this is, to tell the truth,
all the encouragement he has to go upon--all that he can find to keep
his courage up as he knocks at their door, telling himself that his
excuse--that of asking them to lend him a book--is a quite sufficient
and legitimate one. He knocks, and Elizabeth's voice at once answers:
"Herein!"
It is clear that she takes him for the German waiter, Fritz. She remains
in this belief even after he has opened the door, since she does not at
first look up. She is alone--not in the pretty flowered room in which
she had yesterday received him, but in the first and less adorned of the
little series--one that he had, on his former visit, cursorily supposed
to be chiefly used as an ante-room--sitting alone at a table, and before
her are spread writing-materials, over which she is stooping. An odious
and ridiculous thought darts, with a prick, across his mind.
Is she sitting here, all alone, in order to write to Byng?
"I came----" he begins; and at the unexpected voice she looks up with a
start:
"Oh, it is you!" she says, in a low key, glancing rather apprehensively
at the closed door, which separates them from the inner room, in a
manner which tells him that her parents are within.
"I came"--his voice almost unconsciously sinking to the level hers has
indicated to him--"to ask you to lend me a book."
"A book!" she repeats doubtfully, with another and still more nervous
glance at the shut door; "I am afraid that they are all in there."
"Oh, it is of no consequence!" rejoins Burgoyne hastily, unwittingly
quoting the words of the immortal Mr. Toots; "it does not matter in the
least."
As he speaks, he begins to retreat towards the door, but so slowly as to
give her plenty of time to recall him had she so wished. But she does
not. She only stands looking uncertain and distressed. He cannot take
such a melancholy impression of her little face away for the whole night
with him--it would give him the blues too seriously after this dismal
day--so he takes a step or two forward again.
"Are not you rather lonely?" he asks, with an expressive look round.
She gives a small, uncomplaining smile.
"Oh no; I do very well. I am generally alone at this time of day; they
like to have their evenings to themselves--at least, father likes to
have mammy to himself; I am sure it is quite natural."
There is not the slightest trace of any sense of being aggrieved in
either words or tone.
Public-domain text, read in full here on John Shaqi.
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