The rudeness of both words and actions is so unlike the real Byng, that
it is with an even more sinking spirit than before that Jim follows him
with his eyes as he passes out of sight into the _salon_. As soon as the
door is shut behind him, he himself takes up the position he had
suggested in the ante-room.
CHAPTER IX.
There are few things more trying to an active-minded person than to sit
occupationless, vaguely waiting. At first, it is true, the keenness of
Jim's alarm prevents his feeling the ennui which would be the natural
result of his situation. Poignantly anxious questions succeed each other
in his mind. Has he had any right to permit the interview at all? How
far is Byng accountable for his actions? What chance is there that his
already rocking reason will stand the shock of a meeting which, even in
his sanest moments, would have so wildly excited him? And if not, what
may be the consequences? Grisly headings of newspaper paragraphs write
themselves in the air before him--"Homicidal Mania," "Murder and
Suicide."
The details of a tragic story which, illustrated by sensational
woodcuts, he had idly read a day or two ago in a venerable _Police
News_, left lying on the smoking-room table, recur to his memory. It was
a tale of a groom who, in an access of jealous madness, had shot a
scullion sweetheart through the head, and then blown his own brains out.
The tale had made but little impression on him at the time--unhappily,
it is scarcely possible to take up a journal without the eye alighting
upon some such--but it comes back to him now with terrifying vividness.
What security is there that such tragedies may be confined to grooms and
kitchen-maids? How does he know that Byng has not a revolver hidden in
his breast-pocket? How can he tell that he is not at this very moment
drawing it out? He (Jim) ought to have made sure, before exposing her to
such a peril, that the danger was minimized by Byng's being weaponless.
Is it too late to make sure of that even now?
He takes one step towards the _salon_ door, then hastily retraces it.
Pooh! he is growing as mad as Byng. They will come out and find him
eavesdropping.
He retreats to the table, which is at the greatest distance allowed by
the room's narrow enceinte from the scene of the drama whose
_dénouement_ he is expecting, and, sitting down, takes up a book. It
happens to be Elizabeth's Italian exercise-book, and the sight of it
conjures up before his memory her forlorn figure stooping disconsolately
over the page, wrapped in her brown furs, as he had seen it on that
rainy night that seems now so distant. He had pitied her for being
lonely then. Well, whatever else she may be, she is not lonely now.
Public-domain text, read in full here on John Shaqi.
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