"I believe it is Burton or Bruton, or something of the sort," replies
Jim reluctantly, feeling as if even in admitting knowledge of the
stranger's surname he were letting out a dangerous secret. "I should
have thought that she had had enough of the Church," he adds with a very
much more pronounced accent of satire than Miss Wilson's. "She has not
taken my advice of sticking to the laity. Shall we--shall we follow
them?"
This last suggestion is the result of a vague, uneasy feeling that, by
keeping within earshot, he may exercise some check upon their
conversation.
"Why should we?" replies Amelia, for once in her life running counter to
a proposition of her lover's, and turning her meek eyes affectionately
upon him; "we are so well here, are not we? and"--laughing--"we should
spoil sport."
As Jim can allege no adequate reason for pursuing Cecilia and her latest
spoil, he has unwillingly to acquiesce, and to content himself with
following them with his eyes, to gain what reassurance he can from the
expression of their backs. But the peaceful if melancholy restfulness
that had marked the first part of his abode on the stone seat is gone,
past recall. He moves his feet fidgetily on the gravel; he gets up, and
throws pebbles into the fountain; he snubs an officious little Italian
boy who brings Amelia a small handful of flowers plucked out of the
emerald grass.
Amelia does not share her lover's uneasiness, as indeed why should she?
She puts the expected tip into the young Tuscan's dirty brown hand, and
leans her head enjoyingly on the back of the stone seat.
"I think I like to come to these sort of places with you even better
than to picture-galleries," she says with an intonation of extreme
content.
"Do you, dear?" replies he absently, with his uneasy eyes still
searching the spot at which Cecilia and her escort had disappeared. "Of
course you are quite right: 'God made the country, and man made the----'
Ah!"
Public-domain text, read in full here on John Shaqi.
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