Without trusting herself to any further speech, she disappears, and he,
with a sigh that is only half of relief, turns away from the hotel door,
and, after a moment's hesitation, a moment's glance at the suave
darkening sky, and another at his watch, begins to walk briskly--not in
the direction of the Minerva. It is really not late, not much beyond
canonical calling hours, and he is almost sure that they dine at eight.
His face is set in the direction of the Piazza d'Azeglio, as he
addresses these reassuring remarks to himself. This is no case of
self-indulgence, or even of friendly civility. It is a question of
common humanity. Why should he leave them to endure their suspense for a
whole night longer than they need, merely to save himself the trouble of
a walk beneath the darkly splendid sky-arch, through the cheerful
streets, still full of leisurely foot-passengers, of the sound of
cracking whips and rolling carriages?
He reaches No. 12 bis, and finds the porter's wife sitting at the door
of her _loge_, and smiling at him with all her white teeth, as if she
knew that he had come on some pleasant errand. He climbs the naked stone
stairs, and rings the bell. It is answered by Annunziata, who, smiling
too, as if she were saying something very agreeable, conveys to him that
the signora and the signorina are out.
The intelligence baffles him, as he had not at all expected it. Probably
his disconcertment is written not illegibly on his features, as
Annunziata begins at once to inform him that the signore are gone to
drive in the Cascine, and that she expects them back every moment. It is
a good while before he quite masters her glib explanation, his Italian
being still at that stage when, if the careful phrase-book question does
not receive exactly the phrase-book answer, the questioner is at fault.
But the smiling invitation of the amiable ugly face, and the hospitably
open door--so different a reception from what the old bull-dog of an
English nurse would have accorded him--need no interpreter. After a
moment's hesitation he enters. He will wait for them.
It is not until he has been left alone for a quarter of an hour in the
little _salon_ that he has time to ask himself nervously whether the
amount of his acquaintance with them, or the importance of the tidings
he brings, justifies his thus thrusting himself upon their evening
privacy. The table--since they have obviously but one sitting-room--is
spread for their simple supper--a coarse white cloth, a wicker-covered
bottle of rough Chian wine, and a copper pot full of delicately odorous
Freesias. He wanders restlessly about the room, looking at the
photographs.
Public-domain text, read in full here on John Shaqi.
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