[Footnote 40: On April 6, 1520.] [Footnote 41: Tommaso was sent to Flanders in 1520 by Pope Leo X. to oversee the manufacture of the "second series" of tapestries. The painter does not seem to have returned to Italy.] [Footnote 42: Engravings by Marcantonio from Raphael's designs.] [Footnote 43: The picture is lost, but an engraving of it made by And. Stock in 1629 is well-known.] [Footnote 44: The fine monoliths brought from Ravenna and still to be seen in Aachen Cathedral.] [Footnote 45: The confirmation of his pension; _see_ p. 166.] [Footnote 46: Member of a Nürnberg family.] [Footnote 47: The object of the whole expedition was doubtless, that Dürer might see and sketch the whale. In the British Museum is a study of a walrus by Dürer, dated 1521, and inscribed, "The animal whose head I have drawn here was taken in the Netherlandish sea, and was twelve Brabant ells long and had four feet."] [Footnote 48: Gerhard van de Werve.] [Footnote 49: Pupil and afterwards friend of Erasmus.] [Footnote 50: These people were Dürer's principal Nürnberg friends.] [Footnote 51: It is assumed by commentators that _Chapel_ means _Altar-piece_, and it is guessed that the particular altar-piece is the one in the Berlin Museum which Charles V. is reported to have carried about with him, and which belonged to the Miraflores Convent. The guesses are worthless.] [Footnote 52: In St. Jacob's was the _Entombment_ by Hugo van der Goes.] [Footnote 53: It is in white marble. It was sculpted about 1501-6. Some critics have refused to accept it as a genuine work. Dürer ought to have been in a position to know the truth.] [Footnote 54: At this time there were plenty of his pictures at Bruges. Dürer doubtless saw his Madonna in St. Donatien's, now in the Academy of the same town.] [Footnote 55: The famous altar-piece painted by Hubert and Jan van Eyck, of which the central part is still in its original place and the wings are divided, two of their panels being at Brussels and the rest at Berlin.] [Footnote 56: This drawing from Dürer's sketch-book is in the Court Library at Vienna (see pl. opposite).] [Footnote 57: The story is recounted in _Flandria illustrata_ (A. Sanderi, Colon., 1641, i. 149.)] [Footnote 58: Gerhard Horeboul of Ghent. Charles V.'s 'Book of Hours' in the Vienna library is his work. He also had a hand in the Grimani Breviary. After 1521 he went to England and entered the service of Henry VIII. His daughter Susanna was likewise in the service of the English King. She married and died in England.] [Footnote 59: Perhaps Jan van den Perre, afterwards goldsmith to Charles V.] [Footnote 60: That is to say, drawings representing _Christ bearing HIS CROSS_. _Mount of Olives_ means the Agony _in the_ Garden.] [Footnote 61: The inn-keeper of the _Golden Head_ is known to have been a painter. His name was Heinrich Keldermann.]