The cinches bit deep into his flesh. He tasted that horror of iron
in his mouth, with this great distinction: that whereas the bits of
Manuel Cordova had been heavy instruments of torture this was a light
thing, smooth and straight and without the wheel of spikes. The crisis
was coming. He felt the weight of the rider fall on the left stirrup,
the reins were gathered, then Perris swung lightly into the saddle and
leaning, snatched the blindfold from the eyes of the stallion.
One instant Alcatraz waited for the sting of the spurs, the resounding
crack of the heavy quirt, the voice of the rider raised in curses; but
all was silence. The very feel of the man in the saddle was different,
not so much in poundage as in a certain exquisite balance which he
maintained but the pause lasted no longer than a second after the
welcome daylight flashed on the eyes of Alcatraz. Fear was a spur
to him, fear of the unknown. He would have veritably welcomed the
brutalities of Cordova simply because they were familiar--but this
silent and clinging burden? He flung himself high in the air, snapped
up his back, shook himself in mid-leap, and landed with every leg
stiff. But a violence which would have hurled another man to the
ground left Perris laughing. And were beasts understood, that laughter
was a shameful mockery!
Alcatraz thrust out his head. In vain Perris tugged at the reins. The
lack of curb gave him no pry on the jaw of the chestnut and sheer
strength against strength he was a child on a giant. The strips of
leather burned through his fingers and the first great point of the
battle was decided in favor of the horse: he had the bit in his teeth.
It was a vital advantage for, as every one knows who has struggled
with a pitching horse, it cannot buck with abandon while its chin is
tucked back against its breast; only when the head is stretched out
and the nose close to the ground can a bucking horse double back and
forth to the full of his agility, twisting and turning and snapping as
an "educated" bucker knows how.
Public-domain text, read in full here on John Shaqi.
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