"Weel, jist sit doon there, and carry on frae whaur ye loot sit. Syne
efter the three o'clock lecture--wha is't ye're atten'in' this
session?--we'll gang doon to Luckie Cumstie's, and hae a moufu' o'
denner--she 'll do her best for me--an' I'll hae jist a tumler o'
toddy--but de'il a drap sall ye hae, bantam--and de'il a word will I
say to ye there. But we'll come back here, and i' the gloamin', I'll
gie ye a bit episode i' my life.--Episode did I ca' 'it? Faith it's my
life itsel', and no worth muckle, eyther. Ye'll be the first man that
ever I tell't it till. And ye may judge o' my regaird for ye frae that
fac'."
Alec worked away at his catalogue, and then attended the afternoon
lecture. The dinner at Luckie Cumstie's followed--of the plainest, but
good. Alec's trouble had not yet affected the region in which Paley
seats the organ of happiness. And while an appetite exists, a dinner
will be interesting. Just as the gloaming was fading into night, they
went back to the library.
"Will I rin ower to the sacrist's for a licht?" asked Alec.
"Na, na; lat be. The mirk's mercifu', whiles."
"I canna unnerstan' ye, Mr Cupples. Sin ever I kent ye i' this library,
I never kent ye bide the oncome o' the nicht. As sune's the gloamin'
began to fa', ye aye flew to yer hat, and oot at the door as gin there
had been a ghaist gettin' its banes thegither oot o' the dark to come
at ye."
"Maybe sae there was, bantam. Sae nane o' your jokin'."
"I didna mean to anger ye, Mr Cupples."
"Whaur naething's meant, naething's dune. I'm nae angert. And that
ye'll sune see. Sit ye doon there, and tak yer plaid aboot ye, or ye'll
be cauld."
"Ye hae nae plaid yersel. Ye're mair like to be cauld nor I am."
"I weir my plaid o' my inside. Ye haena had ony toddy. Deil's broo! It
may weel haud a body warm. It comes frae a het quarter."
The open oak ceiling overhead was getting very dark by this time; and
the room, divided and crowded with books in all directions, left little
free course to the light that struggled through the dusty windows. The
friends seated themselves on the lower steps of an open circular oak
staircase which wound up to a gallery running round the walls.
Public-domain text, read in full here on John Shaqi.
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