Left, the _Municipal Gardens_, small but admirably planned; the designer, M. Monfront, has shown real genius in his treatment of the area. The gardens follow the line of the Arab Walls (p. 81) and also cross the course of the old Farkha Canal that once connected the Mahmoudieh Canal and the sea (p. 152). Both these features have been utilised; the fortifications have turned into picturesque hillocks or survive as masses of masonry, which, though of little merit in themselves, have been cleverly grouped and look mediaeval by moonlight; while the water of the canal has been preserved in an artificial pool, the abode of ducks. The gardens should be thoroughly explored. In them—visible from tram—is a _Statue of Nubar Pasha_, by Puech; the tarboosh is too large but the general effect dignified; the left hand rests on a tablet inscribed “La justice est la base de tout Gouvernment,” and the same maxim appears on the pedestal. Nubar was an Armenian—a politician whose honesty is variously estimated, though there is no question as to his ability. He became minister under the Khedive Ismail (1878) and tried to regulate his finance, also serving under Tewfik. He was, as his favourite motto suggests, cautious in temperament. He is buried outside the Armenian Church, (p. 143). The tram touches the end of the Rue Rosette (Section I) and passes through the belt of the gardens: they continue on the right, still following the course of the vanished Arab walls and utilising the acclivities, and are to be continued still further, as far as the railway station; they will then form a great horseshoe.—Left are the Roman Catholic Cemeteries, and in the second of these, at the end of the main walk, is a fine _Antique Tomb_, which should be seen. It lies in a hole; great walls of alabaster have fallen and exposed their shining surfaces. The shrine (Heroon) of Pompey stood near here, and it has been suggested that this was the actual place where his head was deposited after his murderers had brought it to Julius Caesar; this is pure conjecture, but the tomb may well date from the period (B.C. 48) for the work is very good.—To the right, in the new part of the cemetery are other ancient tombs, also a cemented shaft with foot holds cut on its interior. Almost opposite the entrance to the Cemetery is the War Memorial to French Soldiers, a truncated obelisk of Carrara marble, designed as a labour of love in memory of his fallen comrades by Mons. V. Erlanger, the French architect of Alexandria and unveiled April 23, 1921 by Lord Allenby. The scroll facing the main thoroughfare bears the following inscription: “In memory of French Soldiers fallen during the Great War and offered by members of the British Community to the French Colony to Commemorate the glorious deeds of arms, performed by the French Armies 1914-1918.”