_Cecil_. Many points weather’d, many perilous ones, At last a harbour opens; but therein Sunk rocks—they need fine steering—much it is To be nor mad, nor bigot—have a mind— Nor let Priests’ talk, or dream of worlds to be, Miscolour things about her—sudden touches For him, or him—sunk rocks; no passionate faith— But—if let be—balance and compromise; Brave, wary, sane to the heart of her—a Tudor School’d by the shadow of death—a Boleyn, too, Glancing across the Tudor—not so well.” This is excellent as historical criticism, in the favourable sense; but the drama, by its nature, demands something not critical but triumphant and one-sided. The character of Elizabeth is one of the best in the play, as her soliloquy (Act III. scene v.) is one of the finest of the speeches. We see her courage, her coquetry, her dissimulation, her arrogance. But while this is the true Elizabeth, it is not the idealised Elizabeth whom English loyalty created, lived for, and died for. Mr Froude wrote, “You have given us the greatest of all your works,” an opinion which the world can never accept. “You have reclaimed one more section of English History from the wilderness, and given it a form in which it will be fixed for ever. No one since Shakespeare has done that.” But Mr Froude had done it, and Tennyson’s reading of “the section” is mainly that of Mr Froude. Mr Gladstone found that Cranmer and Gardiner “are still in a considerable degree mysteries to me.” A mystery Cranmer must remain. Perhaps the “crowds” and “Voices” are not the least excellent of the characters, Tennyson’s humour finding an opportunity in them, and in Joan and Tib. His idyllic charm speaks in the words of Lady Clarence to the fevered Queen; and there is dramatic genius in her reply:— “_Mary_. What is the strange thing happiness? Sit down here: Tell me thine happiest hour. _Lady Clarence_. I will, if that May make your Grace forget yourself a little. There runs a shallow brook across our field For twenty miles, where the black crow flies five, And doth so bound and babble all the way As if itself were happy. It was May-time, And I was walking with the man I loved. I loved him, but I thought I was not loved. And both were silent, letting the wild brook Speak for us—till he stoop’d and gather’d one From out a bed of thick forget-me-nots, Look’d hard and sweet at me, and gave it me. I took it, tho’ I did not know I took it, And put it in my bosom, and all at once I felt his arms about me, and his lips—