degree, a scheme which was dear to the heroic leader. The poet, very naturally, was most averse to personal appearance in public matters. Mankind is so fashioned that the advice of a poet is always regarded as unpractical, and is even apt to injure the cause which he advocates. Happily there cannot be two opinions about the right way of honouring Gordon. Tennyson’s poem, _The Fleet_, was also in harmony with the general sentiment. In the last month of 1884 _Becket_ was published. The theme of Fair Rosamund had appealed to the poet in youth, and he had written part of a lyric which he judiciously left unpublished. It is given in his Biography. In 1877 he had visited Canterbury, and had traced the steps of Becket to his place of slaughter in the Cathedral. The poem was printed in 1879, but not published till seven years later. In 1879 Sir Henry Irving had thought the play too costly to be produced with more than a _succès d’estime_; but in 1891 he put it on the stage, where it proved the most successful of modern poetic dramas. As published it is, obviously, far too long for public performance. It is not easy to understand why dramatic poets always make their works so much too long. The drama seems, by its very nature, to have a limit almost as distinct as the limit of the sonnet. It is easy to calculate how long a play for the stage ought to be, and we might think that a poet would find the natural limit serviceable to his art, for it inculcates selection, conciseness, and concentration. But despite these advantages of the natural form of the drama, modern poets, at least, constantly overflow their banks. The author _ruit profusus_, and the manager has to reduce the piece to feasible proportions, such as it ought to have assumed from the first.