Poets, English -- 19th century -- Biography; Tennyson, Alfred Tennyson, Baron, 1809-1892
“Eve after eve that haggard anchorite
Would haunt the desolated fane, and there
Gaze at the ruin, often mutter low
‘Vicisti Galilæe’; louder again,
Spurning a shatter’d fragment of the God,
‘Vicisti Galilæe!’ but—when now
Bathed in that lurid crimson—ask’d ‘Is earth
On fire to the West? or is the Demon-god
Wroth at his fall?’ and heard an answer ‘Wake
Thou deedless dreamer, lazying out a life
Of self-suppression, not of selfless love.’
And once a flight of shadowy fighters crost
The disk, and once, he thought, a shape with wings
Came sweeping by him, and pointed to the West,
And at his ear he heard a whisper ‘Rome,’
And in his heart he cried ‘The call of God!’
And call’d arose, and, slowly plunging down
Thro’ that disastrous glory, set his face
By waste and field and town of alien tongue,
Following a hundred sunsets, and the sphere
Of westward-wheeling stars; and every dawn
Struck from him his own shadow on to Rome.
Foot-sore, way-worn, at length he touch’d his goal,
The Christian city.”
_Akbar’s Dream_ may be taken, more or less, to represent the poet’s own
theology of a race seeking after God, if perchance they may find Him, and
the closing Hymn was a favourite with Tennyson. He said, “It is a
magnificent metre”:—
“HYMN.
I.
Once again thou flamest heavenward, once again we see thee rise.
Every morning is thy birthday gladdening human hearts and eyes.
Every morning here we greet it, bowing lowly down before thee,
Thee the Godlike, thee the changeless in thine ever-changing skies.
II.
Shadow-maker, shadow-slayer, arrowing light from clime to clime,
Hear thy myriad laureates hail thee monarch in their woodland rhyme.
Warble bird, and open flower, and, men, below the dome of azure
Kneel adoring Him the Timeless in the flame that measures Time!”
In this final volume the poet cast his handful of incense on the altar of
Scott, versifying the tale of _Il Bizarro_, which the dying Sir Walter
records in his Journal in Italy. _The Churchwarden and the Curate_ is
not inferior to the earlier peasant poems in its expression of
shrewdness, humour, and superstition. A verse of _Poets and Critics_ may
be taken as the poet’s last word on the old futile quarrel:—
“This thing, that thing is the rage,
Helter-skelter runs the age;
Minds on this round earth of ours
Vary like the leaves and flowers,
Fashion’d after certain laws;
Sing thou low or loud or sweet,
All at all points thou canst not meet,
Some will pass and some will pause.
Public-domain text, read in full here on John Shaqi.
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