Algeria from withinBodley, R. V. C. (Ronald Victor Courtenay)
History
Algeria from within
Bodley, R. V. C. (Ronald Victor Courtenay)
Algeria -- Description and travel
Hence we can wander back through narrow streets to the gate by which
we entered, and near which stands the museum which is well worth a
visit. In addition to all sorts of curiosities such as hair-pins,
needles and implements for dentistry of the time, it contains some
of the fine mosaics which have been unearthed from the houses and
pieced together. If we look at them for a moment and imagine what
they looked like up there near the capitol, we can get a small
idea of how charming the residences must have been. There are also
drawings of what it is supposed Timgad was like in the days of its
glory, and certainly, if the artist was not carried away by his
imagination— and there is no reason to suppose this—it must have
been indeed a noble city. And yet its aspect now leaves the traveler
with a feeling of sorrow. The silence is, first of all, appalling;
the atmosphere of desolation is impossible to convey in words,
and, as one sits in the forum or on the stone steps of the theater
and tries to conjure up the gay figures who once frequented these
now silent spaces, one is filled with an unspeakable awe. All this
luxury, all this amusement, all these habitations—for what? For
the future planned by Imperial Rome, since it is evident that no
nation would have built the great town, with all in it, as a mere
pastime. They intended to stay; they believed in their unshakable
greatness; they believed in the power of the sword.
But Rome fell, as had fallen other empires, and as others will
also fall. And Timgad is left to the jackals and to the hyenas,
to a few intelligent excavators, and to the host of chattering
tourists who rush through these ruins of a glorious past without
a thought for the cultured race who once lived there.
“Vanity, vanity—all is vanity!”
For this reason I have said as little as possible on this city of
the dead, and I leave it to the traveler to go himself and feel
the atmosphere which no painter or writer can reproduce.
CHAPTER XXXIV
DJEMILA THE DESOLATE
If Roman ruins are of interest to the traveler there is a second
edition of Timgad, to my mind finer and more complete than the
subject of the last chapter, but unfortunately not on any main road.
I refer to the town of Cuicul, now called Djemila, situated on the
barren hills to the northeast of Sétif. There are two means of
access: from Algiers via Sétif, or from Constantine via the road
to Djidjelli, described in the next chapter.
Public-domain text, read in full here on John Shaqi.
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