She went away after tea, to her pew in the gaunt wooden Episcopal Church
in Chestnut Street, rapt in a felicitous dream of romanticism. It was
nothing to her that Mr. Carville had poured diluted vitriol upon some
women who clamoured for the vote, nothing that he had barely deigned to
notice her existence. Once aware that he essayed to be a spell-binder,
she accepted him with utter _abandon_ in that role. She permitted him to
bind the spell; and as she walked with short quick steps along Van
Diemen's Avenue, her brown head held high and unswerving, I could not
refrain from the fancy that she moved as one in a trance.
It was a disappointment to us that we heard the whistle of the five
o'clock train before we realized that Mr. Carville was on board. The
sound was the one thing needful to set our mind and tongues free to talk
of him. So potent had been his atmosphere that, to be honest, we had
been unable to apply judgment to his case. When we gathered at dinner
the discussion was in full and amiable swing.
"It is very difficult," I said, "to distinguish the fact from the
fiction, not because he is extraordinarily skilful in 'joining his
flats,' but because he is so absorbed in the story himself that it would
be quite inconceivable to him that anyone would _not_ be interested. He
has evidently never imagined such a contingency. Such ingeniousness is
more than uncommon. It is sublime."
"How about your theory that he is an artist?" argued Mac. "He can't be
both conscious and unconscious of his art."
Public-domain text, read in full here on John Shaqi.
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