I heard something scuttling in the darkness. I saw
the night-watchman on the _Corydon_ standing at the galley door, looking
out. And then, looking again towards my objective, I saw an open door in
the shed with a short, broad figure showing up sharply against a
brightly illuminated interior. I scrambled up the little incline and
found a path.
"I was suddenly conscious I had no particular reason for calling upon
this unknown person in the middle of the night. It is one of the
tragedies of human life that while we do most things by instinct or
intuition we have to clamp some 'particular reason' on our actions
before we can secure the approbation either of others or of ourselves.
Some men, like my young brother, never trouble themselves about it. But
all my life I have found myself hesitating upon the edge of actions that
might be heroic or fantastic or original or simply desirable, just
because I couldn't square them with a particular reason. It was so in
this instance. I came into the light of that doorway, and hesitated. But
the short, broad figure was not like me. In the most matter-of-fact
fashion he nodded his head and said in a clear voice with a strong
foreign accent, 'Good evening. How are you?' And I answered at once that
I was very well. He gave the cue, the cue which the _Corydon_ had
temporarily obliterated from my mind! He stood to one side and let me
see into his domain. A large central-draft oil lamp hung in the centre
of the roof of a small chamber. There was a door at the back, leading, I
surmised, to the boiler room, for in one corner stood the machine that
had attracted me from the ship, a curious hunched affair with a
violently working apparatus in front and pipes covered with snow curving
up and disappearing into the top of it. A small foot-lathe stood by a
bench, and on the bench itself was clamped a fret-work table and a
partly completed fret-work corner bracket. I wiped my face with my
sweat-rag and turned to get a good look at the owner of this variegated
display. It seemed to me I was having experiences after all.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account