Alkibiades, a tale of the Great Athenian WarBromby, Charles Hamilton
History
Alkibiades, a tale of the Great Athenian War
Bromby, Charles Hamilton
Alcibiades -- Fiction; Greece -- History -- Peloponnesian War, 431-404 B.C. -- Fiction
As soon as they began to eat, young slaves brought in horns full of
wine, and presented one to each guest, beginning with the king and
Alkibiades. After the king had eaten and drunk a little, he rose, and,
with a horn full of wine in his hand, turned towards Alkibiades, who,
having learnt something of the customs of his entertainers, also rose
with his wine-horn in his hands. They both drank of the fine strong
Thrakian wine, but what was left in the king’s horn he poured over the
dress of Alkibiades, who, though astonished at this unusual attention,
saw it was intended to do him honour, and did the same to his host,
pouring the remains of his wine over the garments of Amadokos. This mark
of reciprocal goodwill so pleased the Thrakians that they leapt to their
feet, and deafened the Greeks with their shouts of delight, but soon sat
down again to many other horns of wine, which the slaves continued to
supply unstintingly.
Agrestides now entered the tent followed by two Greek servants bearing a
splendid Persian carpet which the Selymbrians had given to Alkibiades,
and a golden amphora from Chios, chased with figures of Dionysos
reclining and boys and girls gathering in the vintage and pressing the
grapes. Alkibiades presented these gifts to the king, who received them
graciously, while the Thrakians jumped up again, and shouted louder than
before.
Musicians then came in, playing on curious shrill pipes and rude harps
of seven strings, making amongst them a most strange, pathetic, wailing
melody. To the cultured, musical ear of the Athenian the noise of the
drums and trumpets of ox-hides had been painful. When a boy, he had
utterly refused to learn the flute or flageolet, thinking it unmanly;
but his love and knowledge of music were shown when he presented his
liturgy at Athens, by the way in which his chorus had been trained under
his care, and by the choric songs he had himself arranged. Now this
savage music, in the minor mode, of the pipes and harps seemed sadly to
recall something of old times long past, and to inspire a tender
yearning as for something else unknown, indefinite, indefinable, and
brought back thoughts of his own days that were gone by for ever, and
sad memories of his wife, and of the friends whom he had lost.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account