The early western harvest had been gathered in. Upland and valley in that undulating land were clothed with the tawny hue of the stubble. Here and there the plough horses were moving slowly along the red ridges on the steep hillside. No touch of frost had dulled the rich hues of the autumnal flowers, and the red carnations still glowed in every cottage garden, while the pale pink trusses of hydrangea filled all the shrubberies with beauty. A keener breath came up at eventide from the salt sea beyond Point Neptune, and wilder winds crept across the inland valleys with the on-coming of night. Summer and the swallows were gone. October, a balmy season for the most part, was at hand; and there were no more tea-drinkings and afternoon gossipings in the garden at the Angler’s Nest. The lamps were lighted before dinner. The evenings were spent in the old library and the new drawing-room, the new room communicating with the old one by a curtained archway, so that of a night the curtains could be drawn back and Martin Disney could sit among his books by the fireplace in the library, and yet be within conversational reach of Isola and Allegra in the drawing-room, where they had piano and table-easel, work-baskets, and occupations of all kinds. Mr. Colfox sometimes dropped in of an evening, on parish business of course, took a cup of coffee, listened while Allegra played one of Mozart’s sonatas or sang a song by Gluck or Haydn or Handel. Mr. Colfox was not one of the advanced people who despise Mozart or Handel. Nor did he look down upon Haydn. Indeed, he sat and stroked his thin legs with a sheepish appreciation, wrinkling up his loose trousers, and showing a large amount of stocking, while Allegra sang “My mother bids me bind my hair,” in her clear, strong mezzo-soprano, which was of infinite use to him in his choir. He told everybody that Martin Disney’s was an ideal household--a home into which it was a privilege to be admitted. “I feel as if I never knew the beauty of domestic life till I knew the Angler’s Nest,” he said one evening after dinner at Glenaveril, when he and the village doctor had accepted one of Mr. Crowther’s pressing invitations to what he called “pot-luck,” the pot-luck of the man whose spirit burns within him at the thought of his hundred-guinea cook, and whose pride is most intolerable when it apes humility. “Really, now,” said Mr. Crowther, “you surprise me, for I have always fancied there was a screw loose there.” “What does that expression imply, Mr. Crowther?” asked the curate, coldly. “Oh, I don’t know! Nothing specific: only one’s notion of an ideal home doesn’t generally take the shape of a beautiful girl of twenty married to a man of forty-five. The disparity is just twice as much as it ought to be.” “Upon my soul,” cried the curate, “I don’t believe that wedded love is affected by any difference of years. Desdemona loved Othello, who was a man of mature age----”