All along the River: A NovelBraddon, M. E. (Mary Elizabeth)
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All along the River: A Novel
Braddon, M. E. (Mary Elizabeth)
English fiction -- 19th century
They were not long alone in the drawing-room, not more than the space
of a single cigarette, before the men followed. Then came music, and
a good deal of talk, in the long, low, spacious room, which looked so
bright and homely by candlelight, with all its tokens of domestic and
intellectual life.
“What a capital quarter-deck this is,” cried John Hulbert, after pacing
up and down while he listened, and talked, and laughed at Allegra’s
little jokes about the narrowness of village life. “It is delightful
to stretch one’s legs in such a room as this, after six months upon a
yacht.”
“You will have room enough to stretch your legs at the Mount,” said
Disney.
Captain Hulbert had announced his intention of spending a week or two
under the family roof-tree while the _Vendetta_ underwent some slight
repairs and renovations.
“Room enough and to spare,” he said. “I shan’t feel half so jovial
walking up and down those grim old rooms as I feel here. I shall
fancy a ghost pacing behind me, clump, clump, clump--a slow, solemn
footstep--only the echo of my own tread perhaps; but I shall never
know, for I shall be afraid to look round.”
“You ought not to make sport of weak people’s fancies, for I am sure
you don’t believe in ghosts,” said Allegra, leaning with one elbow on
the piano, turning over pieces of music absently, a graceful figure in
a dark green velvet gown, cut just low enough to show the fine curves
of a full, round throat, white and smooth as ivory.
“Not believe in ghosts? Did you ever know a sailor who wasn’t
superstitious? We are too often alone with the sea and the stars to be
quite free from spectral fancies, Miss Leland. I can see in your eyes
as you look at me this moment that you believe in ghosts--believe and
tremble. Tell me now, candidly--When do you most fear them? At what
hour of the day or night does the unreal seem nearest to you?”
“I don’t know,” she faltered, turning over the loose music with a
faintly tremulous gesture, while Isola sat by the piano, touching the
notes dumbly now and then.
Public-domain text, read in full here on John Shaqi.
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