All along the River: A NovelBraddon, M. E. (Mary Elizabeth)
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All along the River: A Novel
Braddon, M. E. (Mary Elizabeth)
English fiction -- 19th century
To the right, straggling along the edge of the wooded hill, appeared
the white houses and churches, cupola, pinnacle, and dome of Colla, so
scattered as to seem two towns rather than one, and with picturesque
suggestions of architectural splendour that were hardly borne out by
the reality, when one climbed those rugged mule-paths, and crossed the
romantic gorge above the waterfall, and then upward and upward to the
narrow alleys and crumbling archways, and the spacious old church with
its lofty doorway standing high above the stony street.
* * * * *
Only a few paces from Colonel Disney’s villa there was a stately house
that had gone to ruin. The roof was off in some places; there were
neither floors nor windows left; and the walls were open to the wind
and rain--frescoed walls, upon which might be traced figures of saint
and martyr, angel and madonna. There was a spacious garden, with an
avenue of cypresses--a garden where the flowers had been growing wild
for years, and where Isola and Allegra wandered and explored as they
pleased. It was higher on the hillside than their own villa, and from
the eastward edge of this garden they looked--across a yawning gulf
in which lay all the lower town of San Remo--to the Sanctuary and the
Leper Hospital, conspicuous on the crest of the opposite hill.
The need for Citadel and Sanctuary had passed with the fiercer age in
which they were built. Neither Saracen nor pirate menaced San Remo
nowadays; but the old white walls made a picturesque note in the
landscape, and the very name of Sanctuary had a romantic sound.
The first week in the new house was like a week in fairyland. The
weather was peerless--a climate that makes people forget there is such
a season as winter in the world--and the two girls wandered about in
the olive woods and climbed the mule-paths all through the fresh balmy
hours or in the hottest noontides sat in the deserted garden or in
a sheltered corner near an old stone well--one of those wells which
suggest the meeting of Isaac and Rebecca--and Allegra painted while
Isola read to her, in the low sweet voice which lent new and individual
music to the sweetest verse of her favourites, Byron, Keats, and
Shelley.
In these sequestered spots, where only a peasant woman laden with a
basket of olives, or a padre, going from Colla to San Remo, ever passed
within sight of them, they read the Eve of St. Agnes and the Pot of
Basil--the Prisoner of Chillon, Manfred, and all those familiar lyrics
and favourite passages of Shelley which Isola held in her heart of
hearts. The wonder-dream of Alastor--the passionate lament of Adonaïs,
could not seem purer or more spiritual than the life of these young
women in those calm days through which January slipped into February,
unawares, like a link in a golden chain--a chain of sunshine and
flowers.
Public-domain text, read in full here on John Shaqi.
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