All along the River: A NovelBraddon, M. E. (Mary Elizabeth)
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All along the River: A Novel
Braddon, M. E. (Mary Elizabeth)
English fiction -- 19th century
Perhaps some of those who happened to be experienced in such
complications may have divined which way the wind blew, for no one
offered to sit out the promised dances, and Isola and Lostwithiel were
left pretty much to themselves among the palms and orange-trees in the
ante-room. They were not unobserved, however; and among the eyes which
marked them with no friendly notice were the fine, steel-blue eyes of
Miss Crowther.
“Is that a flirtation?” she asked Captain Morshead, glancing in the
direction of the ante-room where those two were sitting, as she and
Isola’s cast-off partner waltzed past the muslin-draped doorway.
“They seem rather fond of talking to each other, don’t they? Who was
she? She’s uncommonly pretty.”
“Oh, her people were army, I believe--as poor as church mice--buried
alive in Dinan.”
“At Dinan--and now she lives at Trelasco, she tells me. It seems
scarcely worth while to have exhumed her in order to bury her again.
Such a girl as that ought to be in London enjoying life.”
“Oh, but she’s a grass widow, don’t you know. Her husband is in Burmah.
I don’t think it’s quite nice in her to be here to-night; only as my
too good-natured mother sent her a ticket, I suppose I oughtn’t to say
anything about it. Perhaps if mother sees the way she goes on with Lord
Lostwithiel she’ll rather regret that ticket.”
* * * * *
What was Lostwithiel saying all this time in that gentle baritone,
which was heard only by one listener? He was asking forgiveness for
his indiscretion of the afternoon, and in that prayer for pardon was
repeating his offence. Isola was less inclined to be angry, perhaps,
now. The magic of the dance was still upon her senses, the dance which
had brought them nearer than all the days they had met; than all their
long confidential conversations on the heights above the harbour,
or on the river path, or dawdling on the bridge. She had felt the
beating of his heart against her own, breath mingling with breath, the
thrilling touch of his encircling arm; and it was as if he had woven
a spell around her which made her his. She had never danced with her
husband, who had no love of that heathenish art. In all their brisk,
frank courtship there had been no intoxicating hours. She hardly
knew what dancing meant till she waltzed with Lostwithiel, who had
something of the fiery ardour of a Pagan worshipping his gods in wild
gyrations upon moonlit mountain or in secret cave. She let him talk
to her to-night--let him pour out the full confession of his unhappy
love. He spoke not as one who had hope; not with that implied belief in
her frailty which would have startled her into prompt resistance. His
accents were the accents of despair, his love was a dark fatality.
ἉΝΑΓΚΗ
“Why did you write that word?” she asked.
Public-domain text, read in full here on John Shaqi.
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