All in the Day's Work: An AutobiographyTarbell, Ida M. (Ida Minerva)
History
All in the Day's Work: An Autobiography
Tarbell, Ida M. (Ida Minerva)
Journalists -- United States -- Biography; Tarbell, Ida M. (Ida Minerva), 1857-1944
My nervousness and my skepticism fell away when Mr. Rogers stepped
forward in his library to greet me. He was frank and hearty. Plainly he
wanted me to be at ease. In that way he knew that he could soon tell
whether it was worth his while to spend further time on me or not.
Henry Rogers was a man of about sixty at this time, a striking figure,
by all odds the handsomest and most distinguished figure in Wall Street.
He was tall, muscular, lithe as an Indian. There was a trace of the
early oil adventure in his bearing in spite of his air of authority, his
excellent grooming, his manner of the quick-witted naturally adaptable
man who has seen much of people. His big head with its high forehead was
set off by a heavy shock of beautiful gray hair; his nose was aquiline,
sensitive. The mouth, which I fancy must have been flexible, capable
both of firm decision and of gay laughter, was concealed by a white
drooping moustache. His eyes were large and dark, narrowed a little by
caution, capable of blazing as I was to find out, shaded by heavy gray
eyebrows giving distinction and force to his face.
I remember thinking as I tried to get my bearings: Now I understand why
Mark Twain likes him so much. They are alike even in appearance. They
have the bond of early similar experiences—Mark Twain in Nevada, Henry
Rogers in the early oil regions.
“When and where did your interest in oil begin?” Mr. Rogers asked as he
seated me—a full light on my face, I noticed.
“On the flats and hills of Rouseville,” I told him.
“Of course,” he cried, “of course! Tarbell’s Tank Shops. I knew your
father. I could put my finger on the spot where those shops stood.”
We were off. We forgot our serious business and talked of our early days
on the Creek. Mr. Rogers told me how the news of the oil excitement had
drawn him from his boyhood home in New England, how he had found his way
into Rouseville, gone into refining. He had married and put his first
thousand dollars into a home on the hillside adjoining ours.
“It was a little white house,” he said, “with a high peaked roof.”
“Oh, I remember it!” I cried. “The prettiest house in the world, I
thought it.” It was my first approach to the Gothic arch, my first
recognition of beauty in a building.
We reconstructed the geography of our neighborhood, lingering over the
charm of the narrow ravine which separated our hillsides, a path on each
side.
“Up that path,” Mr. Rogers told me, “I used to carry our washing every
Monday morning and go for it every Saturday night. Probably I’ve seen
you hunting flowers on your side of the ravine. How beautiful it was! I
was never happier.”
Could two strangers, each a little wary of the other, have had a more
auspicious beginning for a serious talk? For what followed was serious
with moments of strain.
“What are you basing your story on?” he asked finally.
“On documents. I am beginning with the South Improvement Company.”
Public-domain text, read in full here on John Shaqi.
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