All in the Day's Work: An AutobiographyTarbell, Ida M. (Ida Minerva)
History
All in the Day's Work: An Autobiography
Tarbell, Ida M. (Ida Minerva)
Journalists -- United States -- Biography; Tarbell, Ida M. (Ida Minerva), 1857-1944
Naturally I had no little curiosity about my traveling companions.
Scoffing eastern friends told me that there would be bell ringers,
trained dogs, and Tyrolese yodelers. I found no such entertainment, but
I could hardly have fallen in with pleasanter company. A quintette of
young people whose business it was to sing for three-quarters of an hour
before my afternoon lecture and for a like period before the evening
entertainment, proved to be the gayest, kindest, healthiest of
companions. They were hard workers, seriously interested in pleasing
their audiences. They knew not only how to work, but how to live on the
kind of junket that I had undertaken. In other words, here was a group
of five young people who were doing what to me was very unusual, in a
thoroughly professional way. The seventh member of our party, the
evening entertainer, Sydney Landon, had had long experience on the
circuit. He was doing his work exactly as a good writer or a good lawyer
would do his. I saw at once that what I had joined was not, as I had
hastily imagined, a haphazard semi-business, semi-philanthropic,
happy-go-lucky new kind of barnstorming. It was serious work.
In starting the Chautauqua work I was not conscious that there was a
large percentage of condescension in my attitude. My first audience
revealed my mind to me with painful definiteness, and humbled me beyond
expression. It was all so unlike anything that I had had in my mind. I
was to speak in the evening and arrived at my destination late and after
a rather hard day. It was a steel town—one which I had known long years
before. The picturesqueness of the thing struck me with amazement.
Planted on an open space in the straggling, dimly lighted streets, where
the heavy panting of the blast furnaces could be clearly heard, I saw
the tent ablaze with electric lights, for, if you please, we carried our
own electric equipment. From all directions men, women, and children
were flocking—white shirtwaists in profusion, few coats, and still fewer
hats. And there were so many of them! I felt a queer sensation of alarm.
Here in the high-banked tiers were scores upon scores of serious faces
of hard-working men. I had come to talk about the hopeful and optimistic
things that I had seen in the industrial life of the country; but face
to face with these men, within sound of the heavy panting of great
furnaces, within sight of the unpainted, undrained rows of company
houses which I had noticed as I came in on the train, the memory of many
a long and bitter labor struggle that I had known of in that valley came
to life, and all my pretty tales seemed now terribly flimsy. They were
so serious, they listened so intently to get something; and the tragedy
was that I had not more to give them. This was my first audience. I
never had another that made so deep an impression upon me.
Public-domain text, read in full here on John Shaqi.
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