All in the Day's Work: An AutobiographyTarbell, Ida M. (Ida Minerva)
History
All in the Day's Work: An Autobiography
Tarbell, Ida M. (Ida Minerva)
Journalists -- United States -- Biography; Tarbell, Ida M. (Ida Minerva), 1857-1944
The Americans living around the Place de la Concorde assured me that
Paris was not changed; not for them perhaps, but when I went among my
old French friends, most of whom had stuck it through the War, changes
stared me in the face. I had hurried to my old quarter on the Left Bank.
Great gaps in the circle around the Panthéon and in the Boulevard
Saint-Michel skirting the Luxembourg told the story of what the quarter
had endured. The _laiterie_ where once I had bought eggs and milk and
cheese was gone, the space carefully boarded. I hunted among the
neighbors for the cheerful Madame whom I had so enjoyed. She had died
with the building, they told me.
There were little neglects in the once carefully kept apartments of my
friends that affected me all out of proportion to their importance. The
door into Madame Marillier’s _chambre à coucher_ would not close.
“Nothing has been mended in Paris, you know, now for three years,” my
friend explained.
It was literally true: nothing painted, nothing mended, little replaced.
Craftsmen and tradesmen were in the trenches or in their graves. So many
of those whom once you had known, the people who had served you or had
been your comrades, were in their graves. Madame Marillier, pointing to
a long roster of names on her desk in the salon, said: “Look, these are
our dead. Read them. You will remember some of the names.” And I did,
men whom I had known twenty-five years before, and whose brilliant talk
I had listened to at her Wednesday night dinners.
They could not bring back their dead; but after all the horror life was
to go on, and they were bravely doing their best to give it something of
its character before the War.
One thing they were counting on was the return to their homes and to the
museums of their treasured _belles choses_. When I went out to dinner
with French acquaintances who had possessed beautiful things, often
pictures catalogued as national treasures, empty frames stared from the
walls. The canvases had been cut out and sent to a safe place, generally
somewhere in the South; but they would soon have them back, and that
would help.
Not only in Paris but wherever invasion was threatened there had been an
immediate effort to hustle the best loved treasures out of reach. At
Amiens, they told me, they had “sent away” the famous _L’Ange pleurant_.
It was back when I was there in March, and people were coming from all
the towns near by to see it, to gloat and weep over it.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account