All in the Day's Work: An AutobiographyTarbell, Ida M. (Ida Minerva)
History
All in the Day's Work: An Autobiography
Tarbell, Ida M. (Ida Minerva)
Journalists -- United States -- Biography; Tarbell, Ida M. (Ida Minerva), 1857-1944
I found that most people were against this. They wouldn’t run the risk
of having to help France again. I was for granting the guarantee
provisionally and for a limited period. I believed such a guarantee
would quiet what I felt to be one of the real dangers of the after-war
situation, the near hysteria of France. Americans proud of their
generous part in saving France from what looked to them like calculated
annihilation said: “Why these hysterics? The War is over. The nations
are going to enforce peace. The devastated region is to be restored at
Germany’s expense. Forget it.”
How could America understand the years of horror France had just
suffered, the devastation of centuries of loving labor, the wiping out
of three and a half million of her best youth? And most serious of all
perhaps, how could America realize what France so clearly realized, that
the Great War was but the latest expression of centuries of
determination on the part of Central Europe to reach the sea? It must
have an ocean front even if this could be obtained only by crossing the
dead body of France.
I had spent some hours at Châlons-sur-Marne just before I returned.
Nobody in that town was so alive to me as Attila. Fifteen hundred
years before, he had led the forces of Central Europe so far and had
been stopped; but Central Europe had come back again and again, driven
by the urge for the sea. Again and again France had saved herself, but
she knew now she could never do it without the help of those who
believed her culture one of the earth’s great possessions. She must
have guarantees. But how could the United States understand that
centuries of experience were behind France’s fear? They had not met
Attila at Châlons-sur-Marne—I had.
All of this I talked in more or less detail until in midsummer my lips
were closed for two weeks by William Jennings Bryan. Mr. Bryan for many
years had been the brightest star of the Chautauqua platform. The
management of the circuit liked to introduce him for whatever time he
could give and they afford. It meant that the regular performer must
either step down or divide his period. The evening was the proper hour
for Mr. Bryan, for only then could the men come. Now I spoke in the
evening. “Cut your time to forty minutes, and go on a half-hour
earlier,” were my instructions. I, of course, obeyed.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account