All in the Day's Work: An AutobiographyTarbell, Ida M. (Ida Minerva)
History
All in the Day's Work: An Autobiography
Tarbell, Ida M. (Ida Minerva)
Journalists -- United States -- Biography; Tarbell, Ida M. (Ida Minerva), 1857-1944
The most important fruit was that Mr. Burlingame looked me up when he
made his annual spring visit to Europe. Here was my chance to tell him
about Madame Roland, to ask if he thought his house would be interested
in such a biography if it turned out to be a good piece of work. “The
suggestion would have to be considered in New York,” he replied. But he
promised me it would be considered. And it was, for not long afterwards
he wrote me that the house was interested in my project, certainly
wanted to see the manuscript.
This was enough to settle finally a struggle that had tormented me for
many weeks. I had come to Paris determined to fit myself for magazine
work along historical and biographical lines; but once close to the
world of the scholar, surrounded by men and a few women who lived stern,
self-denying lives in order to master a field however small I was seized
with an ambition to be a scholar. It was a throwback to my old passion
for the microscope. I would specialize in the French Revolution—I would
become a professor.
But Mr. Burlingame’s answer to my inquiry as to whether the Scribner
company would be friendly to a biographical study of my lady settled the
matter; which shows, I take it, how shallow my scholarly ambitions
really were.
The Scribner connection was not the only one putting heart into me.
Among my early trial balloons was one marked for McClure’s Syndicate,
New York City. It carried an article of two thousand words with a catchy
title—“The King of Paris”—cribbed from a French newspaper. It was the
story of Jean Alphand and his services to the city. The balloon reached
its destination. The article was promptly accepted with a promise of $10
when it was published, also a suggestion that they would be glad to
consider other subjects if I had them to offer—which I did. Indeed, I
gave them no time to forget me; not that they took all I hustled across
the Atlantic, but they took enough to make me feel that this might be a
stable and prosperous market for short and timely articles. When
suggestions finally began to come from them I felt the ground firmer on
my feet. One of these suggestions led me into an especially attractive
new field, and in the long run had important bearing on my major
interest, Madame Roland. It was that I try a series of sketches of
French women writers. There was a respectable group of them, and I asked
nothing better than to look them up.
Public-domain text, read in full here on John Shaqi.
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