All in the Day's Work: An AutobiographyTarbell, Ida M. (Ida Minerva)
History
All in the Day's Work: An Autobiography
Tarbell, Ida M. (Ida Minerva)
Journalists -- United States -- Biography; Tarbell, Ida M. (Ida Minerva), 1857-1944
Week ends in company as genial, unaffected and intelligent as that of
our new friends proved were a rare experience. When the time came for a
final break-up of the crowd in August of 1892—my first companions had
already gone back to America—those left of us decided to take a farewell
vacation together. The difficulty was to settle on a place. Here was
something not on my schedule. We considered Etaples, Beuzeval-Houlgate,
Belle-Île and finally at the last moment took tickets to
Mont-Saint-Michel—a glorious spot; but after watching the tide come in
for two successive days, after climbing to the top and descending to the
bottom of the château, sitting out sunsets on the wall and eating
omelettes at Madame Poulard’s until we were fed to the full we pushed on
to Saint-Malo and exhausted it as quickly as we had Mont-Saint-Michel.
As we listened bored to the orchestra in the square a poster on a wall
suddenly caught our collective eyes. It told us to go to the Island of
Jersey. With one accord we said “Let’s,” packed our bags and caught the
steamer all within an hour. At Jersey we walked into lodgings: rooms,
plenty of them; a salon looking on the sea; such sea fish and vegetables
and fruit as only that island offers. We thought it was costing a
fortune, but when the bill came—house, housekeeper, maid, and food such
as we had not had for a year—it totaled just eighty cents apiece for a
day.
That vacation put a gay finish on my first year in Paris. I began the
second in deep depression, for several good reasons. First, I had
exhausted my reserve. I think I came back from my vacation with twenty
francs in my pocket. All my American associates were gone or going soon.
I had a new address, for Madame Bonnet had moved from the neighborhood
of the Musée Cluny to the more somber neighborhood of the Panthéon and,
hardest of all, I knew now that instead of one year more I must have at
least two to finish my undertaking. The homesickness and hunger for my
family had never been appeased. I had lived on their letters. If they
did not come regularly I scolded and wailed; I begged for details of
their daily life. My mother was an intimate letter writer, delightfully
frank about her neighbors and about the family. She told who was at
church, fretted because father spent so much time with his precious
Sunday school class of girls, described every new frock, told what they
had for Sunday dinner, announced the first green corn in the garden, the
blossoming of her pet flowers—snowdrops and primulas and iris in the
spring, roses in the summer, anemones in the fall, cactus in the winter.
Occasionally she would apologize for her homely details, particularly
after I had written a long guidebookish epistle home describing some
ancient monument I had been visiting. How I must have bored them
sometimes! But home details—“I live off them,” I told her. “You can’t
tell me too much about your daily doings.”
Public-domain text, read in full here on John Shaqi.
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