All in the Day's Work: An AutobiographyTarbell, Ida M. (Ida Minerva)
History
All in the Day's Work: An Autobiography
Tarbell, Ida M. (Ida Minerva)
Journalists -- United States -- Biography; Tarbell, Ida M. (Ida Minerva), 1857-1944
I so shared the general nervousness that, more than once when I saw a
man on the omnibus carrying a package, I feared a bomb and abruptly
descended; yet along with all my nervousness I was always nosing around,
hoping to see a bomb go off. It seemed to me that was my journalistic
duty, but I never saw anything more than the ruins they had caused. I
did see a pretty good revolution, one that had all the earmarks that I
had been finding in my attempted study of Revolution. It was in July of
1893. This time it was youth in revolt, the youth of the Latin Quarter
and the Beaux Arts. From start to finish the revolt went on practically
under my windows.
The Annual Ball of the Beaux Arts in the winter of 1893 had scandalized
Paris. As I remember, the exhibit which outraged was a lady who
promenaded with no other covering than a mosquito net. The protest
finally reached the Chamber of Deputies, where a member—Berenger—took it
up in a serious way and proposed a restrictive law which angered the
students. It was, they said, an interference with their right to amuse
themselves. Immediately long and picturesque _monômes_—single lines of
men, one hand on the shoulder of the man in front, the other grasping a
hand of the one behind—threaded their way up and down the boulevards,
particularly in the vicinity of the Luxembourg, chanting at the top of
their voices, “Conspuez Berenger!” “Conspuez Loze [Chief of Police]!”
“Down with the puritans!”
The demonstration began on a Saturday, and that night a great crowd
centered in a café in my neighborhood. The place was packed inside and
out with youths noisier and noisier as the hours went on. Finally the
crowd became so unruly that a squadron of police charged them. There was
a great hubbub and in the mêlée somebody hurled one of the heavy white
match boxes which were used on all the tables in the Latin Quarter
restaurants—a dangerous missile. It hit an innocent spectator who had
come to see the fun—a young man of twenty-two or twenty-three from the
other side of the river—and killed him. The students were wild with
rage, and all that night and all next day they tore up and down the
streets, pulling up trees, knocking over kiosks, breaking windows.
The shopkeepers of Paris, having the experience of centuries of
revolutionary outbreaks behind them, knew when to retire; and before
Monday night the heavy wooden shutters with which they protect their
fronts were all up, their doors closed, and the Quarter was alive with
soldiers and mounted police. The center of the disturbance that day,
however, was not the Latin Quarter but the streets around the Chamber of
Deputies, where a great band of angry students kept up a tumult. There
were funny incidents. A big group of deputies came out to look over the
demonstration, and on the instant the air rang with the jingling of
hundreds of big copper sous pitched on the pavements to cries of
“Panama, Panama.”
Public-domain text, read in full here on John Shaqi.
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