All the Sad Young MenFitzgerald, F. Scott (Francis Scott)
General
All the Sad Young Men
Fitzgerald, F. Scott (Francis Scott)
American fiction -- 20th century; Short stories, American
He waved his hand magnanimously, shouted aloud, "You owe me three days'
salary but you can keep it!" and rushed from the office. Mr. Chambers
rang for his stenographer to ask if O'Kelly had seemed queer lately. He
had fired many men in the course of his career, and they had taken it in
many different ways, but none of them had thanked him--ever before.
II
Jonquil Cary was her name, and to George O'Kelly nothing had ever looked
so fresh and pale as her face when she saw him and fled to him eagerly
along the station platform. Her arms were raised to him, her mouth was
half parted for his kiss, when she held him off suddenly and lightly
and, with a touch of embarrassment, looked around. Two boys, somewhat
younger than George, were standing in the background.
"This is Mr. Craddock and Mr. Holt," she announced cheerfully. "You met
them when you were here before."
Disturbed by the transition of a kiss into an introduction and
suspecting some hidden significance, George was more confused when he
found that the automobile which was to carry them to Jonquil's house
belonged to one of the two young men. It seemed to put him at a
disadvantage. On the way Jonquil chattered between the front and back
seats, and when he tried to slip his arm around her under cover of the
twilight she compelled him with a quick movement to take her hand
instead.
"Is this street on the way to your house?" he whispered. "I don't
recognize it."
"It's the new boulevard. Jerry just got this car to-day, and he wants to
show it to me before he takes us home."
When, after twenty minutes, they were deposited at Jonquil's house,
George felt that the first happiness of the meeting, the joy he had
recognized so surely in her eyes back in the station, had been
dissipated by the intrusion of the ride. Something that he had looked
forward to had been rather casually lost, and he was brooding on this as
he said good night stiffly to the two young men. Then his ill-humor
faded as Jonquil drew him into a familiar embrace under the dim light of
the front hall and told him in a dozen ways, of which the best was
without words, how she had missed him. Her emotion reassured him,
promised his anxious heart that everything would be all right.
They sat together on the sofa, overcome by each other's presence, beyond
all except fragmentary endearments. At the supper hour Jonquil's father
and mother appeared and were glad to see George. They liked him, and had
been interested in his engineering career when he had first come to
Tennessee over a year before. They had been sorry when he had given it
up and gone to New York to look for something more immediately
profitable, but while they deplored the curtailment of his career they
sympathized with him and were ready to recognize the engagement. During
dinner they asked about his progress in New York.
"Everything's going fine," he told them with enthusiasm. "I've been
promoted--better salary."
Public-domain text, read in full here on John Shaqi.
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