All the Sad Young MenFitzgerald, F. Scott (Francis Scott)
General
All the Sad Young Men
Fitzgerald, F. Scott (Francis Scott)
American fiction -- 20th century; Short stories, American
Sometimes it was three o'clock before Roger squashed his last cigarette
into the overloaded ashtray, and he would undress in the darkness,
disembodied with fatigue, but with a sense of triumph that he had lasted
out another day.
Christmas came and went and he scarcely noticed that it was gone. He
remembered it afterward as the day he completed the window-cards for
Garrod's shoes. This was one of the eight large accounts for which he
was pointing in January--if he got half of them he was assured a quarter
of a million dollars' worth of business during the year.
But the world outside his business became a chaotic dream. He was aware
that on two cool December Sundays George Tompkins had taken Gretchen
horseback riding, and that another time she had gone out with him in his
automobile to spend the afternoon skiing on the country-club hill. A
picture of Tompkins, in an expensive frame, had appeared one morning on
their bedroom wall. And one night he was shocked into a startled protest
when Gretchen went to the theatre with Tompkins in town.
But his work was almost done. Daily now his layouts arrived from the
printers until seven of them were piled and docketed in his office safe.
He knew how good they were. Money alone couldn't buy such work; more
than he realized himself, it had been a labor of love.
December tumbled like a dead leaf from the calendar. There was an
agonizing week when he had to give up coffee because it made his heart
pound so. If he could hold on now for four days--three days----
On Thursday afternoon H. G. Garrod was to arrive in New York. On
Wednesday evening Roger came home at seven to find Gretchen poring over
the December bills with a strange expression in her eyes.
"What's the matter?"
She nodded at the bills. He ran through them, his brow wrinkling in a
frown.
"Gosh!"
"I can't help it," she burst out suddenly. "They're terrible."
"Well, I didn't marry you because you were a wonderful housekeeper. I'll
manage about the bills some way. Don't worry your little head over it."
She regarded him coldly.
"You talk as if I were a child."
"I have to," he said with sudden irritation.
"Well, at least I'm not a piece of bric-à-brac that you can just put
somewhere and forget."
He knelt down by her quickly, and took her arms in his hands.
"Gretchen, listen!" he said breathlessly. "For God's sake, don't go to
pieces now! We're both all stored up with malice and reproach, and if we
had a quarrel it'd be terrible. I love you, Gretchen. Say you love
me--quick!"
"You know I love you."
The quarrel was averted, but there was an unnatural tenseness all
through dinner. It came to a climax afterward when he began to spread
his working materials on the table.
"Oh, Roger," she protested, "I thought you didn't have to work
to-night."
"I didn't think I'd have to, but something came up."
"I've invited George Tompkins over."
"Oh, gosh!" he exclaimed. "Well, I'm sorry, honey, but you'll have to
phone him not to come."
Public-domain text, read in full here on John Shaqi.
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