Poets, Scottish -- 18th century -- Biography; Ramsay, Allan, 1686-1758
The last scene of the pastoral contains the _dénouement_. With great
artistic skill, so as to avoid wearying the reader, Ramsay only
represents the delivering of the verdict upon Bauldy's appeal against
Mause, the result being that the former was informed he only got what he
deserved. At this moment, however, Madge, Peggy, and Jenny enter the
room where Sir William was sitting. On Peggy Sir Williams gazes with
interest, but presently starts with surprise. Her features are those of
his long-dead sister. Eagerly he inquires from Glaud if she be his
daughter. Glaud, after some hesitation, declares her to be a foundling.
At this juncture, however, old Mause steps forward and unravels the
tangled skein. She first calls on Sir William to say if he does not
recall her features as his own old nurse. Sir William joyfully
recognises her, and then she relates how she had brought Peggy as a babe
thither, to save its life from those who had usurped its rights after
his sister's death. She declares that Peggy is indeed his own niece, and
Patie's full cousin.
Patie's joy is now complete, and the two lovers, their prospective union
blessed by Sir William, fall into one another's arms; while the
happiness of the shepherds and rustics is consummated when Sir William,
restored to his possessions, announces his intention never more to leave
them. To Symon and Glaud he assigns their _mailings_ (farms) in
perpetual feu, while Roger is made his chamberlain. As the curtain then
descends over general happiness, Sir William pronounces the usual moral
admonition, without which no pastoral of the time was complete--
'My friends, I'm satisfied you'll all behave,
Each in his station as I'd wish and crave.
Be ever virtuous, soon or late ye'll find
Reward and satisfaction to your mind.
The maze of life sometimes looks dark and wild,
And oft when hopes are highest we're beguiled;
Oft when we stand on brinks of dark despair
Some happy turn with joy dispels our care.'
Public-domain text, read in full here on John Shaqi.
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