The main part of Sunnybank house was capped by a sort of belvidere,
accessible by steps from the garret. Why it had been built was one
of Ida's childish studies; and the acquisition of other knowledge
was no help to the elucidation of this mystery. Emma said the
founder of the mansion had an astronomical turn, and used it as an
observatory;--Laura, that it was a belfry, from which the alarm-bell
was sounded to collect the surrounding settlers, when an incursion was
made by the savages; Ida's more matter-of-fact belief was that her
ancestor had more fondness than taste for ornamental architecture, and
so planned this tuft to the conical crown of his habitation. On the
birth-night, this was to be illuminated; the brackets were prepared,
and some of the candles in the sockets. Nearer and faster descended the
darkness. Aunt Judy fidgeted from the kitchen to the house, and from
the house to the kitchen, in mortal fear for the credit of her supper.
Miss Betsey prognosticated upsettings and wheel-breakings, and "hoped
the horses were sure-footed. That hill, the other side of Tim's Creek
was _awful_ of a dark night."
"I say, girls!" exclaimed Ida, "we will light the belvidere! They can
see it six miles off. Anything but idle waiting!"
She was to stand in the yard, and direct the disposition of the
lights--Laura, Emma and Will, who thought no whim of his "mistis"
absurd, ascended to the roof. The breeze was at rest; and the rays shot
forth, clear and straight, down the avenue, magnifying the proportions
of the fantastic roof. The others came out to admire the effect with
her.
"Hist!" said she. "Music!"
But there was not a sound.
"I heard it--I know!" said she, positively. "Come into the porch."
Another note was repeated by the hills. "I said so! they are
coming--singing! Isn't that like Charley?" She distinguished
voices as they approached;--Carry's soft alto; Mrs. Dana's
soprano,--"Arthur--yes! that is his tenor--and Mr. Dana and Charley
have the base!"
"The tune changes!" said Emma. "Auld Lang Syne--oh! how sweet!"
Ida's eyes were streaming,--her heart aching with joy. The
carriages--two--and a buggy, drove up to the door; and with a scream
of rapture she lifted Carry to the ground,--not knowing who came
next--only that they were all there. All! no! where was Charley? She
stopped upon the steps; Elle holding to her dress; one hand in Carry's,
the other upon her guardian's arm.
"Charley! where are you?"
"Here!" with a muster-roll intonation. He raised her fingers to his
lips--an unprecedented action with him--and holding them still, looked
over his shoulder. "Here is a gentleman who is afraid you will shut
your doors upon him, for coming without a special invitation."
"Mr. Germaine!" thought Ida, fearfully;--but his was not the figure
that emerged from the shade,--nor the warm grasp, in which Charley,
with a movement full of grace and feeling, placed her hand;--nor his
the voice that said--"I do not doubt her hospitality, but my deserts."
Public-domain text, read in full here on John Shaqi.
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