Up to the castle, in the afternoon, for a final chat. We sit under the
vine near the entrance of that decayed stronghold, while babies and hens
scramble about the exposed rock; he talks, as usual, about the war. He
can talk of nothing else. No wonder. One son is maimed for life; the
other has been killed outright, and it looks as if no amount of
ironmongery (medals, etc.) would ever atone for the loss. This happy
land is full of affliction. Mourning everywhere, and hardships and
bitterness and ruined homes. Vineyards are untilled, olives unpruned,
for lack of labourers. It will take years to bring the soil back into
its old state of productivity. One is pained to see decent folk
suffering for a cause they fail to understand, for something that
happens beyond their ken, something dim and distant--unintelligible to
them as that Libyan expedition. None the less, he tells me, there is not
a single deserter in Olevano. An old warrior-brood, these men of
Latium....
Thence onward and upward, towards evening by that familiar path, for a
second farewell visit to Giulio's farm. It is a happy homestead, an
abode of peace, with ample rooms and a vine-wreathed terrace that
overlooks the smiling valley to the south. A mighty bush of rosemary
stands at the door. The mother is within, cooking the evening meal for
her man and the elder boys who work in the fields so long as a shred of
daylight flits about the sky. The little ones are already half asleep,
tired with a long day's playing in the sunshine.
Here is my favourite, Alberto, an adorable cherub and the pickle of the
family. I can see at a glance that he has been up to mischief. Alberto
is incorrigible. No amount of paternal treatment will do him any good.
He hammers nails into tables and into himself, he tumbles down from
trees, he throws stones at the girls and cuts himself with knives and
saws; he breaks things and loses things, and chases the hens
about--disobeys all the time. Every day there is some fresh disaster and
fresh chastisement. Two weeks ago he was all but run over by the big
station motor--pulled out from the wheels in the nick of time; that scar
across his forehead will remain for life, a memento of childish
naughtiness. Alberto understands me thoroughly. He is glad to see me.
But a certain formality must be gone through; every time we meet there
is a moment of shy distrust, while the ice has to be broken afresh--he
must assure himself that I have not changed since our last encounter.
Everything, apparently, is in order to-night, for he curls up
comfortably on my knee and is soon fast asleep, all his little tragedies
forgotten.
"It appears you like children," says the mother.
Public-domain text, read in full here on John Shaqi.
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