Here is the ruined town of Ferento, all alone on the arid brow of the hill. Nothing human in sight. A charming spot it must have been in olden times, when the country was more timbered; now all is bare--brown earth, brown stones. Dutifully I inspect the ruins and, applying the method of Zadig or something of that kind, conclude that Ferento, this particular Ferento, was relatively unimportant and relatively modern, although so fine a site may well have commended itself from early days as a settlement. I pick up, namely, a piece of verde antico, a green marble which came into vogue at a later period than many other coloured ones. Ergo, Ferento was relatively modern as antiquities go; else this marble would not occur there. I seek for coloured ones and find not the smallest fragment; nothing but white. Ergo, the place was relatively insignificant; else the reds and yellows would also be discoverable. I observe incidentally--quite incidentally!--that the architecture corroborates my theory; so do the guide-books, no doubt, if there are any. Now I know, furthermore, the origin of that small slab of verde antico which had puzzled me, mixed up, as it was, among the mosaics of quite modern marbles in that church whither I had been conducted by a local antiquarian to admire a certain fresco recently laid bare, and some rather crude daubs by Romanelli. Out again, into the path that overlooks the steep ravine. Here I find, resting in the shadow of the wall, an aged shepherd and his flock and a shaggy, murderous-looking dog of the Campagna breed that shows his teeth and growls incessantly, glaring at me as if I were a wolf. "Barone" is the brute's name. I had intended to clamber down and see whether the rock-surface bears any traces of human workmanship; the rock-surface, I now decide, may take care of itself. It has waited for me so long. It can wait a little longer. "Does that beast of yours eat Christians?" "He? He is a perfect capo di c----. That is his trick, to prevent people from kicking him. They think he can bite." I produce half a cigar which he crushes up into his black clay pipe. "Yours is not a bad life." "One lives. But I had better times in Zurich." He had stayed there awhile, working in some factory. He praised its food, its beer, its conveniences. Zurich: incongruous image! Straightway I was transported from this harmonious desolation of Ferento; I lost sight of yonder clump of withering thistles--thistles of recent growth; you could sit, you could stand, in their shade--and found myself glancing over a leaden lake and wandering about streets full of ill-dressed and ungracious folk; escaping thence further afield, into featureless hills encrusted with smug, tawdry villas and drinking-booths smothered under noisome horse-chestnuts and Virginia creepers. How came they to hit upon the ugliest tree, and the ugliest creeper, on earth? Infallible instinct! Zurich: who shall sum up thy merciless vulgarity?