And here, as the name formulated itself, that little sprite of Brahms, that intermezzo, once more leapt to my side out of the parched fields. I imagine it came less for my sake than for the companionship of Boecklin. They were comrades in the spirit; they understood. What one had heard, the other beheld--shapes of mystery, that peer out of forest gloom and the blue hush of midday and out of glassy waters--shapes that shudder and laugh. No doubt you may detect a difference between Boecklin's creations and those of classic days; it is as if the light of his dreamings had filtered through some medium, some stained-glass window in a Gothic church which distorted their outlines and rendered them somewhat more grotesque. It is the hand of time. The world has aged. Yet the shapes are young; they do but change their clothes and follow the fashion in externals. They laugh as of old. How they laugh! No mortal can laugh so heartily. No mortal has such good cause. Theirs is not the serene mirth of Olympian spheres; it sounds demoniac, from the midway region. What are they laughing at, these cheerful monsters? At the greatest jest in the universe. At us.... That lake of Conterano--the accent is on the ante-penultima--it looked appetising on the map, all alone out there. It attracted me strongly. I pictured a placid expanse, an eye of blue, sleepily embowered among wooded glens and throwing upward the gleam of its calm waters. Lakes are so rare in Italy. During the whole of this summer I saw only one other, fringed with the common English reed--two, rather, lying side by side, one turbid and the other clear, and filling up two of those curious circular depressions in the limestone. I rode past them on the watershed behind Cineto Romano. These were sweet water. Of sulphur lakelets I also saw two. Sitting on a stone into which the coldness of midnight had entered (Alatri lies at a good elevation) I awaited my companion in the dusk of dawn. Soon enough, I knew, we should both be roasted. This half-hour's shivering before sunrise in the square of Alatri, and listening to the plash of the fountain, is one of those memories of the town which are graven most clearly in my mind. I could point out, to-day, the very spot whereon I sat.