Alonzo and Melissa; Or, The Unfeeling Father: An American TaleMitchell, I. (Isaac)
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Alonzo and Melissa; Or, The Unfeeling Father: An American Tale
Mitchell, I. (Isaac)
Gothic fiction; Love stories; United States -- History -- Revolution, 1775-1783 -- Fiction
Alonzo having thus poured out the effusions of an overcharged heart,
pensively returned to the inn, which he entered and seated himself in
the common room, in deep contemplation. As usual at public inns, a
number of people were in the room, among whom were several officers of
the American army. Alonzo was too deeply absorbed in melancholy
reflection, to notice passing incidents, until a young officer came,
seated himself by him, and entered into conversation respecting the
events of the war. He appeared to be about Alonzo's age; his person was
interesting, his manners sprightly, his observations correct.--Alonzo
was, in some degree, aroused from his abstractedness;--the manners of
the stranger pleased him. His frankness, his ease, his understanding,
his urbanity, void of vanity or sophistication, sympathetically caught
the feelings of Alonzo, and he even felt a sort of solemn regret when
the stranger departed. He soon retired to bed, determining to proceed
early in the morning.
He arose about daylight; the horizon was overcast, and it had begun to
rain, which before sunrise had encreased to a violent storm. He found
therefore that he must content himself to stay until it was over, which
did not happen till near night, and too late to pursue his journey. He
was informed by the inn-keeper, that the theatre, which had been closed
since the commencement of the war, was to be opened that night only,
with the tragedy of _Gustavus_, and close with a representation of
Burgoyne's capture, and some other recent events of the American war.
To "wing the hours with swifter speed," Alonzo determined to go to the
theatre, and at the hour appointed he repaired thither.
As he was proceeding to take his seat, he passed the box where sat the
young officer, whose manners had so prepossessed him the preceding
evening at the inn. He immediately arose: they exchanged salutations,
and Alonzo walked on and took his seat. The evening was warm, and the
house exceedingly crowded. After the tragedy was through, and before the
after-piece commenced, the young officer came to Alonzo's box, and made
some remarks on the merit of the actors. While they were discoursing, a
bustle took place in one part of the house, and several people gathered
around a box, at a little distance from them. The officer turned, left
Alonzo, and hastened to the place. To the general enquiry, "_what's the
matter?_" it was answered, that "a lady had fainted." She was led out,
and the tumult subsided.
As soon as the after-piece was closed, Alonzo returned to the inn. As he
passed along he cast his eyes toward the church-yard, where lay the
"wither'd blessings of his richest joys." Affection, passion,
inclination, urged him to go and breathe a farewell sigh, to drop a
final tear over the grave of Melissa. Discretion, reason, wisdom forbade
it--forbade that he re-pierce the ten thousand wounds of his bosom, by
the acute revival of unavailing sorrows. He hurried to his chamber.
Public-domain text, read in full here on John Shaqi.
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