World War, 1914-1918 -- France -- Alsace; World War, 1914-1918 -- Personal narratives
Then we turned another way, passing again through Seppois. Arab troops
are quartered there, and we were held up by the sentinel, who wanted
to see our papers. He was dark of color, delicate of hand, straight of
nose, and wore his military coat buttoned by one of its top buttons in
such a way that it fell with an effect of burnous. He couldn’t read
French characters, so he called to another thin, small-handed, straight,
coffee-colored man, who might have been his twin, who couldn’t read them,
either, and finally they both threw up their slender hands, resembling
those of some antique bronze of an adolescent, after which we passed
on. And I told Sérin’s story of the Arab guard who held him up one dark
night, in the trenches, but generously gave him the countersign, saying
to him, “_Si tu ne dis pas tire-lire, tu ne passes pas!_” (“You can’t
pass unless you say tire-lire!”)
They’re cold, these Arabs, they’re gray with cold, and they don’t know
why they fight, nor whom, but they follow their officer to the death,
and, if he falls, lose heart under these gray skies with which Allah
seems only remotely connected.
And then we turned back and went through young woods where countless
thousands, no, millions of shells were piled on shelflike receptacles,
as one would pile bottles of wine on cellar shelves. Everywhere were the
words “_Route interdite_,” “_Défense de passer_,” and we passed, until
we came to Faverois, with its old, old church on the top of a tiny hill,
over which the town spilled. The broad, low steps of the church were
made of ancient tomb slabs, and, stooping, I saw, on one of them, half
obliterated, “_in pace_,” and “16—.”
There was much that was unspoiled, or more likely forgotten, in the
interior. A suave-expressioned St.-Sebastian, with dimpled limbs, so
evidently unfit for the arrows that transfixed them, and something
yearning and earthly about his eyes, was above the Louis XV altar; quite
unmistakably he was of the gay century. In another niche was an unknown
saint, dressed like a personage of opera; three plumes were on his head
and he wore a golden shirt of mail and high, fringed boots. At the
side-altars were charming, very pure models of angels, and bow-knots and
shells (I mean, for once, _sea_-shells). As we came out we noticed that
the roof of the church was painted a silver-white and that of the old
house nearby, with the round tower, was painted the same way, and other
houses, too, and when we asked why they told us it shone like crystal at
night and was to warn airplanes of their nearness to the Swiss frontier.
A blue group of _poilus_ was standing on the crest of the street, looking
at a newspaper. One cried out in a loud voice, “_Guillaume a ——_,” only
one can’t write the word. And going up we saw the news of the Kaiser’s
abdication in letters quite American in size.
Public-domain text, read in full here on John Shaqi.
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