World War, 1914-1918 -- France -- Alsace; World War, 1914-1918 -- Personal narratives
After dinner there was music and for a last time I heard Lavallée sing of
“_la douce Annette_.” Then another officer whom I had not seen before,
Lieutenant Ruchez, sang in a veiled but flooding voice many of Schumann’s
songs. It began by the commandant asking for the “Two Grenadiers,” and
for a time the old wounds ceased to burn, even though we thought of those
many whose prayer had been “Bury me in the earth of France.” On that
night of victory he sang, too, in his musician’s voice, “_Du meine Seele,
du mein Herz_,” and “_Ich grölle nicht wenn auch das Herz mir bricht_,”
and nobody found it strange. They knew how for all time lovers will
tremble at the words, “_Ewig verlor’ nes Lieb_,” or in ecstasy cry out,
“_Du meine Seele, du mein Herz_,” to the impulse of the immortal music.
Afterward we sang the “Marseillaise” with further and deeper thought of
those hosts who to its sound had gone up to a death of glory.
Then M. Mény opened more champagne and each one drained a last time the
red-gold hanap of victory.
And many, many shades haunt these borderlands, the clash of spear on
armor mingling with the roar of 75’s and 420’s.
When we came out midnight was striking. The ancient square was dark and
still where all the evening distorted forms had gesticulated in the flare
of torches, crying of victory and, too, of freedom, the word I scarcely
dare breathe, so strange and terrible may be its meaning.... Though what
shall more deeply move us than the hope that the unborn inclination of
our soul toward love in freedom shall find its being and its breath?...
The commandant and his staff accompanied me a last time across the
starless, moonless square to my dwelling, where there was a close
handclasping of friends in victory, for had I not been caught up in the
apotheosis of the Mission? I felt for a moment, as I stood on the broad
steps, like a figure in the background of some great allegorical painting.
For these men, as for me, the “moving finger having writ, was moving on.”
Soon they would go from the hillside to the plain they had so long looked
down upon. And the scroll of their history there is tightly rolled, nor
can any man say what is written on it.
But this they knew, and with a point of sadness, that their work of
intimate companionship, of trust, of hope and dolor shared in the valleys
of St.-Amarin, Masevaux, and Dannemarie was already in the past. And all
endings are sad, even those of victory.
The next morning, in a pale, chill, shifting fog, through which I had
glimpses of _camions_ full of shivering, velvet-bodiced, black-bowed
children _en route_ for the Belfort train to Paris, and huddled veterans
bound the same way, I passed forever from Masevaux, as a wind that goeth
and returneth not.
THE END
FOOTNOTES
[1] Permission.
[2] “We’ll get them,” and “we’ve got them.”
[3] _Prisonnier de Guerre_ (Prisoner of War).
Public-domain text, read in full here on John Shaqi.
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