World War, 1914-1918 -- France -- Alsace; World War, 1914-1918 -- Personal narratives
“It’s like a scene of opera, isn’t it?” he exclaimed. And then he
proceeded up the ladder, tipped, it seemed, at an angle of forty-five
degrees the wrong way, I wondering how on earth I was to get down,
unless I fell. Then we descend from a ledge over heaps of century-old,
moss-grown mortar deep into the tower, and, passing through a long,
subterranean passage, find ourselves in a tiny, closet-like room of
ageless masonry. Stationed at an opening are two men with telephones
over their ears, binoculars, compass, and charts lying on the sill of
the opening in the masonry, which is shaped like this ⌓ and looks to
the northeast, toward the Hartmann and the Sudel, and other consecrated
heights, as well as the great, covered German plain—whose contours were
more impenetrably veiled than its future. I had had a feeling, crouching
in the wet bushes the day before, gazing out on its wide splendors in
shifting sun and shower, that I would look no more upon it, nor upon the
little, worn, brown crest of the Hartmann, cut by the black line of the
German trenches, running through the naked wilderness of branchless
trees—though I had not known why.
When we had blithely retraced our steps to the highroad, cracking many
uncomplicated jokes, pleasing largely because we felt that kindness
toward the universe so distinctive of the front, when no actual killing
is going on, we suddenly encountered, almost bumping into them, two
swearing, sweating, heavily laden _poilus_, who had got lost in the
fog looking for their detachment. On seeing us they threw down their
accoutrement on a wet bank and expressions strong and classic began to
cut the air. A sergeant, risen up from somewhere at the unmistakable
sounds, ran toward them, calling and gesticulating wildly. But, wiping
their brows, they continued. They had taken the last step they were
going to on that so-and-so and so-and-so mountain, and if they found
their detachment or not they _enfiché’d_ themselves, only they didn’t
use this elegant word to express their sentiments. The sergeant got more
excited, and cried, “_Espèces de types_” and.... At this the commandant,
foreseeing that the artillery exchange might get too loud for feminine
ears, said to the biggest one (both were enormous), seeing his number:
“You are looking for Camp Meudon, _mon ami_. It’s farther up; in an hour
you are there. Follow the path up and always to the right.”
On which, like lambs, they who had sworn not to move from that spot till
the hill crumbled shouldered their accoutrement, thanked Perdrizet in
the best French manner for the cigarettes he gave them, and disappeared
quickly, the strains of “Madelon” being loudly borne back to us on the
fog.
“_Ce sont des enfants_” (“They are children”), said the commandant, with
his kind smile, “and _good_ children.”
And that was the last word I heard concerning the war and “_les enfants
de la Patrie_” on the Hartmann, for the hour of farewells had come.
Public-domain text, read in full here on John Shaqi.
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