Alvira: The Heroine of VesuviusO'Reilly, A. J. (Augustine J.)
ReligionChristian
Alvira: The Heroine of Vesuvius
O'Reilly, A. J. (Augustine J.)
Christian saints; Women and religion
Like one whose eye has caught a brilliant meteor flying through the
heavens, and remains gazing on it until it has disappeared, Alvira
could not remove her eyes from Francis. When she saw his saintly
figure standing on the rude platform, holding in his outstretched
hand the saving sign of redemption, she was seized with an unaccountable
feeling of awe. Although every word of the sermon was heard and
weighed, it seemed as if the pent-up memories of her soul took
precedence of her thoughts, and rushed on her with overwhelming force,
like the winds let loose by the storm-god of old. Everything strange
or sad in her past career lent its quota of color to the dark picture
remorse, with cruel and masterly hand, delineated before her troubled
spirit. The struggle, the agony she had learned to brave in the Duomo
at Milan and the fortress of Messina, rose again with hydra fangs
from the tomb of oblivion in which recent excitements had buried it.
None but her guardian angel knew her soul was once more the battle-field
of contending feelings. At length a crimson blush passed over her
marble features; a crystal tear-drop dimmed her eye; another sprang
from the reservoirs of the heart and stole down the blushing cheek.
Alvira wept.
Tears have a language of their own deep and powerful; they tell of the
weakness of the human heart, not its triumphs; for passion has a throne
that tears may wash in vain. It is easier to drive the mighty river
from its long-loved bed than the soul from the normal state of its
gratified tendencies.
"The heart," says St. Liguori, "where passion reigns, has become a
crystal vase filled with earth no longer penetrated by the rays of
the sun." The iron pedestal of passion's throne was not yet shivered
in the heart of Alvira, nor were tears a sign that the sun of grace
had pierced the crystal vase of the worldly heart. Great will be
the grace that will draw Alvira from the zenith of a golden dream in
which a triumphant ambition has placed her above her sex, and great
amongst the heroes of the manly sex she feigned. Her conversion will
be a miracle--a miracle of sweet violence, such as drew the Magdalens,
the Augustines, and the Cortonas from the trammels of vice to the holy
and happy path of repentance.
The sermon is over. The crowd is still between Alvira and the Molo;
she must wait.
The people are gradually dispersing. Some go to the church to follow
up the holy inspirations given, to throw themselves at the feet of a
confessor, to break the chains of sin; others hasten to their homes
or daily avocations, wondering, pleased, and sanctified in good desires
and resolutions that came gushing from their hearts.
Alvira is standing to one side alone and wrapt in thought. Suddenly
she looks up. Something catches her eye. She starts; a tremble passes
from head to foot. She looks again; her worst terrors are realized.
It is--Father Francis is coming towards her!
Public-domain text, read in full here on John Shaqi.
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