Ambrose Lavendale, DiplomatOppenheim, E. Phillips (Edward Phillips)
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Ambrose Lavendale, Diplomat
Oppenheim, E. Phillips (Edward Phillips)
English fiction -- 20th century; Short stories, English; Spy stories, English
She glanced almost nervously around her. He went on without pause.
'So far as that simple fact is concerned,' he continued, 'you will
not--you need have no fear of my discretion.'
She gave him her hands again and this time there was more of invitation
in her gesture.
'You were always kind to me,' she murmured. 'We shall see something of
one another now, is it not so?'
He shook his head.
'Alas! no, madame,' he sighed. 'I am engaged to be married.'
'And mademoiselle is jealous?' she inquired, with a little pout.
'There is no woman in the world,' he told her, 'who would not be
jealous of Madame Félanie.'
She laughed at him with something of her old gaiety, threw herself back
in her chair and passed him the cigarettes.
'We have a few minutes longer, at least,' she pleaded, 'before we make
our pathetic farewells. You have not lost the gift of saying pleasant
things, Ambrose.'
'Nor you, Adèle, the art of inspiring them,' he replied.
'Oh, là, là!' she exclaimed lightly. 'Tell me of your life here in
London? Tell me why you came to renew our acquaintance if it is to be
only a matter of this one visit?'
He had refused her offer of a chair and the cigarette, still unlit, was
between his fingers.
'Yes, I will tell you that,' he said. 'You read, without a doubt, of
the sinking of the _Marabic_?'
She shrugged her shoulders.
'Who has talked of anything else in London these few days?'
'I was amongst the saved,' he continued, 'I and the young lady to whom
I am engaged to be married. We were in the last boat that left the
ship and lost everything except the clothes we stood up in. That
circumstance has, to a certain extent, changed my outlook upon this
struggle.'
There was the slightest of frowns upon her velvet brow. She waited.
He had the air of one, however, who has concluded all he has to say.
He turned towards the door. She stopped him with an imperative gesture.
'You have not given me the promise I desire--I demand?' she cried.
'Monsieur Ambrose, you will not leave me like this?'
'That promise,' he said gravely, 'is yours--conditionally.'
His departure was a little abrupt and her gesture to recall him too
late. She sat for a moment thinking, a curious shadow upon her face.
Then she touched the bell.
'Ask Monsieur Anders to spare me a moment,' she directed her maid.
There was a brief interval, then the sound of a cheerful whistling
outside. The door was opened and Monsieur Anders himself appeared. He
was a small man with a strangely-lined face, a mouth whose humour
triumphed even over his plastic make-up. He was attired with great
magnificence in the costume of a beau of the last century. His fingers
glittered with rings, lace cuffs fell over his wrists and a little waft
of peculiar perfume entered with him. It was not for nothing that for
many years he had been considered upon the French stage the embodiment
of a certain type of elegance.
'You have had a visitor, _chérie_?' he remarked.
Public-domain text, read in full here on John Shaqi.
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