Amenities of Literature: Consisting of Sketches and Characters of English LiteratureDisraeli, Isaac
History
Amenities of Literature: Consisting of Sketches and Characters of English Literature
Disraeli, Isaac
Authors, English -- Biography; English literature -- History and criticism; Great Britain -- Intellectual life
But every writer followed in the track. Warton compliments the sagacity
of Walpole, and embroiders the narrative. The historian of our poetry
not only details the incident of the magical mirror, but adds that "the
imagination of Surrey was _heated anew_ by this _interesting
spectacle_!" He therefore had no doubt of the reality; and, indeed, to
confirm the whole adventure of the romantic chivalry, he refers the
curious to a finely sculptured shield which is still preserved by the
Dukes of Norfolk. The Italian adventures of Surrey, and all that Walpole
had erroneously suggested, are fully accepted, and our critic
observes--"Surrey's life throws so much light on the character and the
subjects of his poetry, that it is almost impossible to consider the one
without exhibiting the _few anecdotes_ of the other." But the critical
sagacity of Warton did not wholly desert him through all the
circumstantial narrative, for suddenly his pen pauses, and he exclaims
on these travels of Surrey, that "they have the air of a romance!"
And it was a romance! and it served for history many a year![3] This
tale of literary delusion may teach all future investigators into
obscure points of history to probe them by dates.
It was long after the days of Walpole and Warton, and even of George
Ellis, that it was discovered that these travels into Italy by Surrey
had been transferred literally from an "Historical Romance." A great
wit, in Elizabeth's reign, Tom Nash, sent forth in "the Life of Jack
Wilton, an unfortunate traveller," this whole legend of Surrey. The
entire fiction of Nash annihilates itself by its extraordinary
anachronisms.
In what respect Nash designed to palm the imposture of his "Historical
Romance" on the world, may be left to be explained by some "Jack
Wiltons" of our own. He says "all that in this _phantastical treatise_ I
can promise is some _reasonable conveyance of history_, and variety of
mirth." Must we trust to their conscience for "the reasonable
conveyance?"
We now trace the whole progress of this literary delusion.
On Surrey's ideal passion, and on this passage misconceived--
From Tuscan came my lady's worthy race;
Fair Florence was sometime her ancient seat--
the romancer inferred that Geraldine must be a fair Florentine; Surrey
had alluded to the fanciful genealogy of the Geralds from the Geraldi.
On this single hint the romancer sends him on his aërial journey in this
business of love and chivalry.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account