Amenities of Literature: Consisting of Sketches and Characters of English LiteratureDisraeli, Isaac
History
Amenities of Literature: Consisting of Sketches and Characters of English Literature
Disraeli, Isaac
Authors, English -- Biography; English literature -- History and criticism; Great Britain -- Intellectual life
Dr. Nott is in trepidation for the domestic morality of the noble poet;
yet some of these amatory sonnets may have been addressed to his
betrothed. He has perplexed himself by a formal protest against the
perils of Platonic love, but apologises for his hero in the manners of
the age. It appears that not only the mistress of Petrarch, but those of
Bayard the chevalier "sans reproche," and Sir Philip Sidney, were
married women, with as crystalline reputations as their lovers. Nor
should we omit the great friend of Surrey, Sir Thomas Wyatt, who was a
staid married man, notwithstanding his romantic passion for Anne Bullen.
The courtly imitators of Petrarch had made love fashionable. It is
evident that Surrey found nothing so absorbing in his passion, whatever
it might be; for whenever called into public employment he ceased to be
Petrarch--which Petrarch never could, and possibly for a want of
occupation. A small quantity of passion, dexterously meted out, may be
ample to inspire an amatorial poet. Neither Surrey nor Petrarch,
accomplished lovers and poets, with all their mistress' coquetry and
cruelty, broke their hearts in the tenderness of their ideas, or were
consumed by "the perpetual fires" of their imagination.
We have now traced the literary delusion which long veiled the personal
history of the Earl of Surrey, and which has duped so many ingenious
commentators. The tale affords an additional evidence of that "confusion
worse confounded" by truth and fiction, where the names are real, and
the incidents fictitious; a fatality which must always accompany
"Historical Romances." The same mischance occurred to "The Cavalier" of
DE FOE, often published under different titles, suitable to the designs
of the editors, and which tale has been repeatedly mistaken for an
authentic history written at the time. Under the assumed designation by
"a Shropshire Gentleman," whole passages have been transferred from the
Romance into the authentic history of Nichols's Leicestershire--just as
Anthony à Wood had felicitously succeeded in his historical authority of
Tom Nash's "Life of Jack Wilton."
Public-domain text, read in full here on John Shaqi.
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