American Adventures: A Second Trip 'Abroad at home'Street, Julian
General
American Adventures: A Second Trip 'Abroad at home'
Street, Julian
Southern States -- Description and travel; Southern States -- Social life and customs
The scene evidently represented a room, its walls made of red screens
behind which rose the lofty pipes of the chapel organ. On a pedestal at
one side stood a bust of the Venus de Milo, while on the other hung an
engraving of a familiar picture which I believe is called "The Fates,"
and which has the appearance of having been painted by some-one-or-other
like Leighton or Bouguereau or Harold Bell Wright.
After we had given some attention to the play my companion remarked
that, from the dialect, he judged it to be "Uncle Tom's Cabin." I had
been told, however, that for certain reasons "Uncle Tom's Cabin" is
never played in the South; I therefore asked the young man in front of
me what play it was. He replied that it was Booth Tarkington and Harry
Leon Wilson's comedy, "The Man From Home," and as he made the statement
openly, I feel that I am violating no confidence in repeating what he
said--especially since his declaration was supported by the program
which he showed me.
He was a pleasant young man. Perceiving that I was a stranger, he
volunteered the additional information that the masculine roles, as well
as the feminine ones, were being played by girls; and I trust that I
will not seem to be boasting of perspicacity when I declare that there
had already entered my mind a suspicion that such was indeed the case.
Behold them! Gaze upon the character called Daniel Voorhees Pike! See
what long strides he takes, and with what pretty tiny feet! Observe the
manliness with which he thrusts his pink little hands deep in the
pockets of his--or somebody's--pantaloons!
Look at the Grand Duke Vasili of Russia, his sweet oval face and rosy
mouth partly obscured by mustache and goatee of a most strange
wooliness.
Observe the ineradicable daintiness of the Honorable Almeric St. Aubyn,
but more particularly attend to that villain of helpless loveliness, the
Earl of Hawcastle. The frightful life which, it is indicated, the Earl
has led, leaves no tell-tale marks upon his blooming countenance. His
only facial disfigurement consists in a mustache which, by reason of its
grand-ducal lanateness, seems to hint at a mysterious relationship
between the British and Russian noblemen.
Take note, moreover, of the outlines of the players. If ever earl was
belted it was this one. If ever duke in evening dress revealed
delectable convexities of figure, it was this duke. If ever worthy male
from Indiana spoke in a soprano voice and was lithe, alluring, and
recurvous, she was Daniel Voorhees Pike.
A young woman seated near us described to her escort the personal
characteristics of the various young ladies on the stage, and when we
heard her call one girl who played in a betrousered part, "a perfect
darling," we echoed inwardly the sentiment. All were darlings. And this
especial "perfect darling" appeared as well to be a "perfect
thirty-six."
Public-domain text, read in full here on John Shaqi.
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