American Architecture: StudiesSchuyler, Montgomery
General
American Architecture: Studies
Schuyler, Montgomery
Architecture -- United States
The aspect of the commercial quarters of the two cities has more points
of difference than of resemblance. The differences proceed mainly from
the fact already noted, that the commercial quarter of St. Paul is
cramped as well as limited by the topography, and that it is all coming
to be occupied by a serried mass of lofty buildings, whereas the lofty
buildings of Minneapolis are still detached objects erected in
anticipation
[Illustration: LUMBER EXCHANGE, MINNEAPOLIS.
Long & Kees, Architects.]
of the pressure for room that has not yet begun to be felt. It is an odd
illustration of the local rivalry that although the cities are so near
together, the architects are confined to their respective fields, and it
is very unusual, if not unexampled, that an architect of either is
employed in the other. Such an employment would very likely be resented
as incivism. Eastern architects are admitted on occasion as out of the
competition, but in the main each city is built according to the plans
of the local designers. The individual characteristics of the busiest
and most successful architects are thus impressed upon the general
appearance of the town, and go to widen the difference due to
[Illustration: ENTRANCE TO BANK OF COMMERCE, MINNEAPOLIS.
Harry W. Jones, Architect.]
natural causes. The best examples of commercial architecture in
Minneapolis, such as the Bank of Commerce and the Lumber Exchange,
before its partial destruction by fire, have the same straightforward
and severely business-like character as the buildings designed by Mr.
Root in Chicago, and, indeed, they seem to owe not a little to
suggestions derived from him. The treatment of the Lumber Exchange, in
particular, indicates an admiring study of his work. Here the centre of
the front is signalized by projecting shallow oriels carried through the
five central stories of the building on each side of the ample opening
in each story directly over the entrance, and by flanking this central
bay in the upper division with narrow and solid turrets, corbelled and
pinnacled. The scheme is not so effectively wrought out as it deserves
to be, and as it might be. The central feature is not developed into
predominance, and the main divisions of the building are no more
emphasized in treatment than the divisions between the intermediate
stories. The observer may recur to the Vicar of Wakefield to express his
regret that the promise of so promising a scheme should not have been
fulfilled, although, in spite of its shortcomings, the result is a
respectable “business block.” These remarks apply to the original
building, and not to the building as it has since been reconstructed by
the addition of two stories which throw out the relations of its parts,
and make it difficult to decipher the original scheme. The Bank of
Commerce is as frankly utilitarian as the Lumber Exchange, the designer
having relaxed the restraint imposed upon him by the prosaic and
Public-domain text, read in full here on John Shaqi.
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