Rough and unshapely as Osage trees are, they have been more closely
utilized than most timbers. Fence posts are the largest item. The board
measure equivalent of the annual cut of posts has been placed at
18,400,000. The posts are shipped to surrounding states, in addition to
fencing nearly 40,000 square miles of northern Texas and southern
Oklahoma. Houseblocks constitute another important use. These are short
posts set under the corners of buildings in place of stone foundations.
The annual demand for this kind of material amounts to about 1,000,000
board feet. An equal amount goes into bridge piling. The principal
demand comes from highway commissioners. Telephone poles take a
considerable quantity, and insulator pins more.
One of the most important uses of Osage orange is found in the
manufacture of wagon wheels, though the total quantity so used is
smaller than that demanded for fence posts.
About 10,000 or 12,000 wagons with Osage orange felloes or rims are
manufactured annually in the United States. That use of the wood is not
new. It began in a small way soon after the settlement of the region. At
first the work was hand-done by local blacksmiths and wheelwrights. They
found the wood objectionable, from the workman’s standpoint, on account
of its extreme hardness and the difficulty of cutting it. That objection
is still urged against it though machines have taken the place of the
hand tools of former times. Saws and bits are quickly dulled, and the
cost of grinding, repair, and replacement increases the operator’s
expense much above ordinary mill outlay for such purposes. On that
account many prefer to work the wood green. It is then softer, and cuts
more smoothly. If seasoned before it is passed through the machines it
is liable to “pull.” That term is used to indicate a rough-breaking of
the fibres by the impact of knives. The readiness with which the wood
splits calls for extraordinary care in boring it, and many felloes are
spoiled in finishing them to receive the tenoned ends of spokes.
Public-domain text, read in full here on John Shaqi.
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