American Hero-Myths: A Study in the Native Religions of the Western ContinentBrinton, Daniel G. (Daniel Garrison)
Religion
American Hero-Myths: A Study in the Native Religions of the Western Continent
Brinton, Daniel G. (Daniel Garrison)
Indian mythology; Indians -- Religion
Through the association of his person with the prying winds he came,
curiously enough, to be the patron saint of a certain class of thieves,
who stupefied their victims before robbing them. They applied to him to
exercise his maleficent power on those whom they planned to deprive of
their goods. His image was borne at the head of the gang when they made
their raids, and the preferred season was when his sign was in the
ascendant.[1] This is a singular parallelism to the Aryan Hermes myth, as
I have previously observed (Chap. I).
[Footnote 1: Ibid. Lib. IV, cap. XXXI.]
The representation of Quetzalcoatl in the Aztec manuscripts, his images
and the forms of his temples and altars, referred to his double functions
as Lord of the Light and the Winds.
He was not represented with pleasing features. On the contrary, Sahagun
tells us that his face, that is, that of his image, was "very ugly, with a
large head and a full beard."[1] The beard, in this and similar instances,
was to represent the rays of the sun. His hair at times was also shown
rising straight from his forehead, for the same reason.[2]
[Footnote 1: "La cara que tenia era muy fea y la cabeza larga y barbuda."
_Historia_, Lib. III, cap. III. On the other hand Ixtlilxochitl speaks of
him as "de bella figura." _Historia Chichimeca_, cap. viii. He was
occasionally represented with his face painted black, probably expressing
the sun in its absence.]
[Footnote 2: He is so portrayed in the Codex Vaticanus. and Ixtlilxochitl
says, "tubiese el cabello levantado desde la frente hasta la nuca como á
manera de penacho." _Historia Chichimeca_, cap. viii.]
At times he was painted with a large hat and flowing robe, and was then
called "Father of the Sons of the Clouds," that is, of the rain drops.[1]
[Footnote 1: Diego Duran, _Historia_, in Kingsborough, viii, p. 267.]
These various representations doubtless referred to him at different parts
of his chequered career, and as a god under different manifestations of
his divine nature. The religious art of the Aztecs did not demand any
uniformity in this respect.
§5. _The Return of Quetzalcoatl._
Quetzalcoatl was gone.
Whether he had removed to the palace prepared for him in Tlapallan,
whether he had floated out to sea on his wizard raft of serpent skins, or
whether his body had been burned on the sandy sea strand and his soul had
mounted to the morning star, the wise men were not agreed. But on one
point there was unanimity. Quetzalcoatl was gone; but _he would return_.
In his own good time, in the sign of his year, when the ages were ripe,
once more he would come from the east, surrounded by his fair-faced
retinue, and resume the sway of his people and their descendants.
Tezcatlipoca had conquered, but not for aye. The immutable laws which had
fixed the destruction of Tollan assigned likewise its restoration. Such
was the universal belief among the Aztec race.
Public-domain text, read in full here on John Shaqi.
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