If, for example, the best temperaments were required for a scale of
15 degrees to the octave, such as is that of some European organs,
or in other words, having no Enharmonic intervals except D♯ E♭,
and G♯ A♭,--the numbers in Table IV. belonging to C♯ and D♭, E♯
and F, F♯ and G♭, &c. must be united, and their sums substituted
when they occur, for _a_, _a′_, _b_, &c. in the theorem; while the
temperament, for example, of the IIId on C♯ must not be reckoned
77 as in the complete scale, but 1261 - 77 sharp, since its upper
termination has become F, instead of E♯. With these variations let
the same theorem be applied as before, till no value of _x_ can
be obtained, and the temperaments for that scale will be the best
adjusted possible.
But as the scale which contains but 13 degrees, or 12 intervals, to
the octave, is in much more general use than every other, we shall
content ourselves with stating _how_ the problem may be solved for
scales containing any intermediate number of degrees, and proceed
directly to the consideration of that which is so much the most
practically important.
LEMMA.
No arrangement of the intervals in the common scale of 12
degrees, which renders none of the Vths or 3ds sharp, and none of
the IIIds flat, can make any change in the aggregate temperaments
of all the concords of the same name.
We will conceive the 12 Vths of the Douzeave scale to be arranged
in succession, as CG, GD, DA, &c. embracing 7 octaves. Let them
at first be all equal: they will each be flattened 49. I say that
no change in these Vths which preserves the two extreme octaves
perfect, and renders none of them sharp, can alter the sum of their
temperaments. Let _a_, _b_, _c_, &c. be any quantities, positive
or negative, by which the points C, G, D, &c. may be conceived to
be raised above the corresponding points, belonging to the scheme
of equal Vths. Then as the mean temperament Vth = V - 49, the
first Vth in the supposed arrangement will be V - 49 + _a_. The
distance from C to D will be, in like manner, 2 · (V - 49) + _b_;
and consequently the Vth GD will be V - 49 + _b_ - _a_. In the same
manner the third Vth DE will be V - 49 + _c_ - _b_, &c. Hence the
temperament of CG = -49 + _a_, of GD = -49 + _b_ - _a_, of DA = -49
+ _c_ - _b_, &c. Adding the 12 temperaments together, we find their
sum
= -12 × 49 + a + b + &c. - a - b - &c.
in which all the terms except the first destroy each other, and
leave their sum = -12 × 49 which is the aggregate temperament of
the twelve equal Vths in the scheme of equal semitones.
The same reasoning holds good if we bring these Vths within the
compass of an octave; since, if the octave be kept perfect, all
the Vths on the same letter, in whatever octave they are situated,
must have the same temperament.
Public-domain text, read in full here on John Shaqi.
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