American literary mastersVincent, Leon H. (Leon Henry)
History
American literary masters
Vincent, Leon H. (Leon Henry)
American literature -- History and criticism; Authors, American
Looking at Roger Chillingworth as he appears in his ordinary life, one
sees only the wise, benevolent physician, infinitely solicitous for the
welfare of his young friend Arthur Dimmesdale. Surprise him when the
mask of deep-thoughted benevolence is for the moment laid aside and it
is the face of a demon that one beholds.
Without a grain of pity for his victim he probes the minister’s soul.
Morbidly eager, he welcomes every sign that makes for his theory of
a hidden, a mental rather than a physical sickness. He gloats with
malignant joy over the discovery that this spiritually minded youth
has inherited a strong animal nature. Here is a deep and resistless
undercurrent of passion which has led to certain results. An
unflinching and cruel analysis will make clear what those results have
been. Suspicion becomes certainty, but proof is still wanting.
For terrible suggestiveness there are but few scenes in American
fiction comparable with that where Chillingworth bends over the
sleeping minister in his study and puts aside the garment that always
closely covered his breast. The poor victim shuddered and slightly
stirred. ‘After a brief pause, the physician turned away. But with what
a wild look of wonder, joy, and horror! With what a ghastly rapture, as
it were, too mighty to be expressed only by the eye and features, and
therefore bursting through the whole ugliness of his figure, and making
itself even riotously manifest by the extravagant gestures with which
he threw up his arms towards the ceiling, and stamped his foot upon the
floor! Thus Satan might have comported himself when a precious human
soul is lost to heaven and won into his kingdom. But what distinguished
the physician’s ecstasy from Satan’s was the trait of wonder in it!’
Dimmesdale is the deeply pathetic figure in this tragedy of souls.
Seven years of hypocrisy might well bring the unhappy man to the
pitiable condition in which he is found when the lines of interest
in the story draw to a focus. Day by day, month by month, his was a
life of lies. No course of action seemed open to the wretched minister
which did not involve piling higher the mountain of falsehood. To lie
and to scourge himself for lying--this was his whole existence. We
praise Hester Prynne’s courage. Not less extraordinary was Dimmesdale’s
wonderful display of will power. A weaker man would have confessed at
once, or fled, or committed suicide. The minister may not be accused of
stubbornly holding to his course from fear. He feared but one thing:
the shock to the great cause for which he stood, the shame that the
revelation of his guilt would bring upon the church, the loss of his
power to do good, the spectacle, for the eyes of mocking unbelievers,
of the ‘full-fraught man and best indued’ proved the guiltiest. This
were indeed ‘another fall of man.’
Public-domain text, read in full here on John Shaqi.
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