American literary mastersVincent, Leon H. (Leon Henry)
History
American literary masters
Vincent, Leon H. (Leon Henry)
American literature -- History and criticism; Authors, American
In general the characters interest less for what they say than for
what they prompt the Autocrat to say. He says many things, and all so
wise, so entertaining, so clever. When Holmes threw off these sparkling
paragraphs month by month, he could have had little idea what the index
would reveal. He glances from subject to subject, touching lightly
here and lightly there. Poetry, pugilism, horse-racing, theology, and
tree-lore are all equally interesting to him and to us. The reader is
not too long detained by any one thing. An infinite number of topics
are handled with effervescent gayety in a manner sometimes called
‘French.’ Holmes accused Emerson of want of logical sequence. That
was a master stroke. Open a volume of the Breakfast-Table series at
random and you chance on the oddest combinations of subjects, as
when a paragraph on insanity is followed by a paragraph on private
theatricals--perhaps a less illogical juxtaposition than at first sight
appears. Waywardness and inconsequence are among the principal charms
of _The Autocrat of the Breakfast-Table_.
That a book so distinctively local in atmosphere and allusion should
have attained at once and kept to this day widespread popularity is a
little surprising. For local it is--provincial, as New Yorkers would
say. At all events, it is Bostonian to the last degree. The little
city, compact and picturesque, was not merely the background, the scene
of the breakfast-table episodes and conversations; the entire volume is
saturated with the atmosphere of Boston. To Holmes it was the one city
worth while, the city whose State House was Hub of the Solar System. By
his testimony (and who should know better?) you could not pry that out
of a Boston man if you had the tire of all creation straightened out
for a crowbar.
The _Autocrat_ was followed by the _Professor_ and the _Poet_. The
critical history of sequels is well known. Seldom a complete failure,
they are rarely an unqualified success. Yet it is not easy to see
wherein _The Professor at the Breakfast-Table_ falls much below _The
Autocrat_. The book would be justified were it only for the pathetic
figure of Little Boston, to say nothing of Iris, the young Marylander,
the Model of all the Virtues, and the Koh-i-noor. It is something,
too, to have seen the landlady’s daughter appropriately wedded to an
undertaker, and the young fellow called John also married, and in
possession of ‘one of them little articles’ for which he had longed in
the days of bachelorhood, to wit, a boy of his own.
Public-domain text, read in full here on John Shaqi.
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